{"id":1332,"date":"2008-05-04T17:23:35","date_gmt":"2008-05-05T00:23:35","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=1332"},"modified":"2008-05-04T17:23:35","modified_gmt":"2008-05-05T00:23:35","slug":"shermans_forced_march","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2008\/05\/shermans_forced_march\/","title":{"rendered":"Sherman’s Forced March"},"content":{"rendered":"

One of the pleasures of my trips to New York has been to drop in to the Waldorf-Astoria during
\n\"Daryl.jpg\"<\/span>the cocktail hour to hear Daryl Sherman. She has perfect taste in songs, seems to know every good one ever written, plays the piano with a repertoire of satisfying and often surprising chord changes, and sings like an angel. I mentioned the experience in this post <\/a>early in the life of Rifftides<\/em>. <\/p>\n

Well, the rule of all good things has caught up with Daryl and those who became addicted to her at the Waldorf. Stephen Holden broke the news in this morning’s New York Times<\/em>. <\/p>\n

\n

As of Sunday evening, those sounds will be stilled. A few weeks ago, Ms. Sherman received word that for economic reasons her tenure at the cocktail terrace between the Empire and Hilton Rooms would end. Saturday and Sunday’s performances are four-hour laps, from 3:30 to 7:30 p.m. <\/p>\n

Last year, the Hilton hotel chain, which owns the Waldorf-Astoria, was sold to the Blackstone Group of investors. Such sales almost always entail streamlining the operations and cutting back expenses. <\/p>\n<\/blockquote>\n

To read Holden’s entire story, go here<\/a>. <\/p>\n

If other New York hotels aren’t beginning vigorous bidding to be Sherman’s next stand, they’re nuts. Listen to this CD<\/a> to understand why the Waldorf’s self-inflicted loss should be somebody’s gain.  <\/p>\n","protected":false},"excerpt":{"rendered":"

One of the pleasures of my trips to New York has been to drop in to the Waldorf-Astoria during the cocktail hour to hear Daryl Sherman. She has perfect taste in songs, seems to know every good one ever written, plays the piano with a repertoire of satisfying and often surprising chord changes, and sings […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-1332","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1332","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=1332"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1332\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=1332"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=1332"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=1332"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}