{"id":1325,"date":"2008-04-26T15:30:00","date_gmt":"2008-04-26T22:30:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=1325"},"modified":"2008-04-26T15:30:00","modified_gmt":"2008-04-26T22:30:00","slug":"weekend_extra_frantisek_uhlir","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2008\/04\/weekend_extra_frantisek_uhlir\/","title":{"rendered":"Weekend Extra: Franti\u00c5\u00a1ek Uhl\u00c3\u00ad&#8221;"},"content":{"rendered":"<p>You may have heard but not seen Franti\u00c5\u00a1ek Uhl\u00c3\u00ad&#8221;, the Czech bassist who works in the Emil Viklick\u00c3\u00bd Trio. The <em>Rifftides<\/em> staff is anticipating a copy of a new recording by Uhl\u00c3\u00ad&#8221;&#8216;s own trio, a group he has been touring with for five years. In the meantime, video of the Uhl\u00c3\u00ad&#8221; trio has shown up on <em>YouTube<\/em>. The band includes Jaromir Helesic on drums and Darko Jurkovic, one of the few guitarists who plays the instrument by tapping it with the fingers of both hands. The video was made in the historic Knoxoleum in Burghausen, Germany. This is an opportunity for those of us outside Europe to&nbsp;withess in action&nbsp;one of the world&#8217;s great bassists&#8211;and an intriguing guitarist whose&nbsp;easy execution&nbsp;belies the intensity of his music. <a href=\"http:\/\/www.youtube.com\/watch?v=Pqdcc-fO6KM\" target=\"_blank\">Click here<\/a> for their performance of &#8220;Maybe Later.&#8221; <\/p>\n","protected":false},"excerpt":{"rendered":"<p>You may have heard but not seen Franti\u00c5\u00a1ek Uhl\u00c3\u00ad&#8221;, the Czech bassist who works in the Emil Viklick\u00c3\u00bd Trio. The Rifftides staff is anticipating a copy of a new recording by Uhl\u00c3\u00ad&#8221;&#8216;s own trio, a group he has been touring with for five years. In the meantime, video of the Uhl\u00c3\u00ad&#8221; trio has shown up [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-1325","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1325","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=1325"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1325\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=1325"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=1325"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=1325"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}