{"id":12961,"date":"2020-04-05T20:06:42","date_gmt":"2020-04-06T03:06:42","guid":{"rendered":"https:\/\/www.artsjournal.com\/rifftides\/?p=12961"},"modified":"2020-04-05T20:06:42","modified_gmt":"2020-04-06T03:06:42","slug":"recent-listening-ernesto-cervinis-tetrahedron","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2020\/04\/recent-listening-ernesto-cervinis-tetrahedron\/","title":{"rendered":"Recent Listening: Ernesto Cervini&#8217;s Tetrahedron"},"content":{"rendered":"<p><a href=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2020\/04\/ernesto-cervini-tetrahedron-20200217122249.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-12962\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2020\/04\/ernesto-cervini-tetrahedron-20200217122249.jpg\" alt=\"\" width=\"166\" height=\"166\" srcset=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2020\/04\/ernesto-cervini-tetrahedron-20200217122249.jpg 425w, https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2020\/04\/ernesto-cervini-tetrahedron-20200217122249-300x300.jpg 300w, https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2020\/04\/ernesto-cervini-tetrahedron-20200217122249-150x150.jpg 150w, https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2020\/04\/ernesto-cervini-tetrahedron-20200217122249-100x100.jpg 100w, https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2020\/04\/ernesto-cervini-tetrahedron-20200217122249-200x200.jpg 200w\" sizes=\"auto, (max-width: 166px) 100vw, 166px\" \/><\/a>Canadian drummer Ernesto Cervini&#8217;s <em>Tetrahedron&#8221;\u00a0<\/em>manages to meld elements of contemporary electronica&#8221;\u00a0with references to developments in the six decades since John Coltrane&#8217;s &#8220;Giant Steps&#8221; innovations and Ornette Coleman&#8217;s free jazz turned the music in new directions. Cervini enlists electric bassist Rich Brown, the daring New York guitarist Nir Felder and alto saxophonist Luis Deniz. From the album&#8217;s one standard, &#8220;Softly As In A Morning Sunrise,&#8221; through five stirring tunes by Cervini and bassist Brown&#8217;s headlong &#8220;Forward Motion,&#8221; the quartet is driven by the leader&#8217;s drumming, which is both sensitive and powerful.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Canadian drummer Ernesto Cervini&#8217;s Tetrahedron&#8221;\u00a0manages to meld elements of contemporary electronica&#8221;\u00a0with references to developments in the six decades since John Coltrane&#8217;s &#8220;Giant Steps&#8221; innovations and Ornette Coleman&#8217;s free jazz turned the music in new directions. Cervini enlists electric bassist Rich Brown, the daring New York guitarist Nir Felder and alto saxophonist Luis Deniz. From the [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-12961","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry","8":"has-post-thumbnail"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/12961","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=12961"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/12961\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=12961"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=12961"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=12961"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}