{"id":1289,"date":"2008-03-26T01:04:00","date_gmt":"2008-03-26T08:04:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=1289"},"modified":"2008-03-26T01:04:00","modified_gmt":"2008-03-26T08:04:00","slug":"other_places_regina_carter_on","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2008\/03\/other_places_regina_carter_on\/","title":{"rendered":"Other Places: Regina Carter On The Radio"},"content":{"rendered":"<p>Sam McManis, <em>The Sacramento Bee<\/em>&#8216;s arts blogger, recently posted an item about an interview with violinist Regina Carter. His piece is a tip of the hat to public radio producer Paul Conley, who frequently does stories about jazz musicians. To read a lovely story about Carter&#8217;s reaction to winning a MacArthur Foundation &#8220;genius&#8221; grant and for a link to audio of Conley&#8217;s interview, <a href=\"http:\/\/www.sacbee.com\/static\/weblogs\/ticket\/archives\/011261.html\" target=\"_blank\">go here<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Sam McManis, The Sacramento Bee&#8216;s arts blogger, recently posted an item about an interview with violinist Regina Carter. His piece is a tip of the hat to public radio producer Paul Conley, who frequently does stories about jazz musicians. To read a lovely story about Carter&#8217;s reaction to winning a MacArthur Foundation &#8220;genius&#8221; grant and [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-1289","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1289","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=1289"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1289\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=1289"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=1289"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=1289"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}