{"id":1285,"date":"2008-03-21T01:05:00","date_gmt":"2008-03-21T08:05:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=1285"},"modified":"2008-03-21T01:05:00","modified_gmt":"2008-03-21T08:05:00","slug":"compatible_quotes_on_rod_levit","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2008\/03\/compatible_quotes_on_rod_levit\/","title":{"rendered":"Compatible Quotes: On Rod Levitt"},"content":{"rendered":"<blockquote>\n<p>ROD LEVITT, in <a href=\"http:\/\/cgi.ebay.com\/ROD-LEVITT-Solid-Ground-RCA-LP-Rolf-Ericson-Sy-Johnson_W0QQitemZ270163983961QQcmdZViewItem\" target=\"_blank\"><em>Solid Ground<\/em><\/a> (RCA Victor), toots his trombone at the head of a lively seven-man band in a parade of his own compositions&#8230;The band irreverently slices &#8220;Rio Rita&#8221; into a jazzy jigsaw puzzle.&#8211;<em>TIME<\/em>, June 3, 1966 <\/p>\n<p>I liked his playing and his writing, and always appreciated his sunny disposition.&#8211;Bill Crow, 2007<\/p>\n<\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>ROD LEVITT, in Solid Ground (RCA Victor), toots his trombone at the head of a lively seven-man band in a parade of his own compositions&#8230;The band irreverently slices &#8220;Rio Rita&#8221; into a jazzy jigsaw puzzle.&#8211;TIME, June 3, 1966 I liked his playing and his writing, and always appreciated his sunny disposition.&#8211;Bill Crow, 2007<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-1285","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1285","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=1285"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1285\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=1285"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=1285"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=1285"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}