{"id":1252,"date":"2008-02-25T21:10:45","date_gmt":"2008-02-26T05:10:45","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=1252"},"modified":"2008-02-25T21:10:45","modified_gmt":"2008-02-26T05:10:45","slug":"compatible_quotes_36","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2008\/02\/compatible_quotes_36\/","title":{"rendered":"Compatible Quotes"},"content":{"rendered":"<blockquote><p>I may not be a first-rate composer, but I am a first-class second-rate composer. &#8212; Richard Strauss<br \/>\nI don&#8217;t conside myself a musician who has achieved perfection and can&#8217;t develop any further. But I compose my pieces with a formula that I created myself. &#8212; Thelonious Monk<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>I may not be a first-rate composer, but I am a first-class second-rate composer. &#8212; Richard Strauss I don&#8217;t conside myself a musician who has achieved perfection and can&#8217;t develop any further. But I compose my pieces with a formula that I created myself. &#8212; Thelonious Monk<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-1252","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1252","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=1252"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1252\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=1252"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=1252"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=1252"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}