{"id":1241,"date":"2008-02-08T01:05:00","date_gmt":"2008-02-08T09:05:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=1241"},"modified":"2008-02-08T01:05:00","modified_gmt":"2008-02-08T09:05:00","slug":"good_company","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2008\/02\/good_company\/","title":{"rendered":"Good Company"},"content":{"rendered":"<p>It is a pleasure to find <em>Poodie James<\/em> mentioned with fellow artsjournal.com blogger Alex Ross&#8217;s landmark book <em>The Rest Is Noise<\/em>. Richard Kamins of the <em>Hartford Courant<\/em> managed to put my little novel and Alex&#8217;s study of twentieth century music <a href=\"http:\/\/blogs.courant.com\/richard_kamins\/2008\/01\/story-books.html\"target=\"_blank\">under the same roof <\/a>in his column &#8220;See! Hear!&#8221;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>It is a pleasure to find Poodie James mentioned with fellow artsjournal.com blogger Alex Ross&#8217;s landmark book The Rest Is Noise. Richard Kamins of the Hartford Courant managed to put my little novel and Alex&#8217;s study of twentieth century music under the same roof in his column &#8220;See! Hear!&#8221;<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-1241","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1241","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=1241"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1241\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=1241"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=1241"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=1241"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}