{"id":1238,"date":"2008-02-20T10:24:32","date_gmt":"2008-02-20T18:24:32","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=1238"},"modified":"2008-02-20T10:24:32","modified_gmt":"2008-02-20T18:24:32","slug":"erroll_garner_1","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2008\/02\/erroll_garner_1\/","title":{"rendered":"Erroll Garner"},"content":{"rendered":"<p><a href=\"http:\/\/www.jessicawilliams.com\"target=\"_blank\">Jessica Williams<\/a> sent a link to a video clip of Garner, one of her piano heroes, with his trio in 1966. The subject line of her message was, &#8220;You&#8217;ll Love This.&#8221;<br \/>\nThe message was, &#8220;Is this cool or what?&#8221;<br \/>\nIt&#8217;s cool. <a href=\"http:\/\/www.youtube.com\/watch?v=W88q6LHnoPA\"target=\"_blank\">Go here<\/a> to see and hear it.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Jessica Williams sent a link to a video clip of Garner, one of her piano heroes, with his trio in 1966. The subject line of her message was, &#8220;You&#8217;ll Love This.&#8221; The message was, &#8220;Is this cool or what?&#8221; It&#8217;s cool. Go here to see and hear it.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-1238","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1238","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=1238"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1238\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=1238"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=1238"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=1238"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}