{"id":1226,"date":"2008-02-02T11:19:36","date_gmt":"2008-02-02T19:19:36","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=1226"},"modified":"2008-02-02T11:19:36","modified_gmt":"2008-02-02T19:19:36","slug":"weekend_extra_jazz_before_linc","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2008\/02\/weekend_extra_jazz_before_linc\/","title":{"rendered":"Weekend Extra: Jazz Before Lincoln Center"},"content":{"rendered":"<p>Decades before there was Lincoln Center, much less Jazz At Lincoln Center, the midtown Manhattan area encompassing Lincoln Square and San Juan Hill was a jazz incubator. <em>New York Time<\/em>s reporter John Strausbaugh&#8217;s video report on that piece of cultural history includes cameos by JALC curator Phil Schaap and a couple of Thelonious Monk&#8217;s childhood friends. To see it <a href=\"http:\/\/video.on.nytimes.com\/index.jsp\"target=\"_blank\">click here<\/a>, then select &#8220;Jazz In New York&#8221; from the illustrated menu below.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Decades before there was Lincoln Center, much less Jazz At Lincoln Center, the midtown Manhattan area encompassing Lincoln Square and San Juan Hill was a jazz incubator. New York Times reporter John Strausbaugh&#8217;s video report on that piece of cultural history includes cameos by JALC curator Phil Schaap and a couple of Thelonious Monk&#8217;s childhood [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-1226","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1226","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=1226"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1226\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=1226"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=1226"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=1226"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}