{"id":1207,"date":"2008-01-21T09:55:25","date_gmt":"2008-01-21T17:55:25","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=1207"},"modified":"2008-01-21T09:55:25","modified_gmt":"2008-01-21T17:55:25","slug":"other_matters_compatible_quote","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2008\/01\/other_matters_compatible_quote\/","title":{"rendered":"Other Matters: Compatible Quotes"},"content":{"rendered":"<blockquote><p>He who passively accepts evil is as much involved in it as he who helps to perpetrate it.<br \/>\nWe must learn to live together as brothers or perish together as fools.<br \/>\nAn individual has not started living until he can rise above the narrow confines of his individualistic concerns to the broader concerns of all humanity.<br \/>\nInjustice anywhere is a threat to justice everywhere.<br \/>\n&#8211;Martin Luther King, Jr. <\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>He who passively accepts evil is as much involved in it as he who helps to perpetrate it. We must learn to live together as brothers or perish together as fools. An individual has not started living until he can rise above the narrow confines of his individualistic concerns to the broader concerns of all [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-1207","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1207","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=1207"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1207\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=1207"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=1207"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=1207"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}