{"id":1188,"date":"2008-01-08T12:04:00","date_gmt":"2008-01-08T20:04:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=1188"},"modified":"2008-01-08T12:04:00","modified_gmt":"2008-01-08T20:04:00","slug":"cd_frank_sinatra","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2008\/01\/cd_frank_sinatra\/","title":{"rendered":"CD: Frank Sinatra"},"content":{"rendered":"<p><strong>Frank Sinatra<\/strong>, <a href=\"http:\/\/www.amazon.com\/gp\/redirect.html?ie=UTF8&#038;location=http%3A%2F%2Fwww.amazon.com%2FVoice-Time-1939-1952-Frank-Sinatra%2Fdp%2FB000UYT9SK%2F&#038;tag=rifftidougram-20&#038;linkCode=ur2&#038;camp=1789&#038;creative=9325\"target=\"_blank\"><em>A Voice In Time (1939-1952)<\/em><\/a> [Legacy]. The four CDs in this elegant black box begin with &#8220;All Or Nothing At All&#8221; and end with &#8220;I&#8217;m A Fool To Want You.&#8221; They encompass a large percentage of what Sinatra recorded for Columbia and RCA Victor, first as the boy wonder of band singers, finally as a mature solo performer setting standards of musicianship and taste that singers will be trying to meet for decades longer than you or I will be around to listen.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Frank Sinatra, A Voice In Time (1939-1952) [Legacy]. The four CDs in this elegant black box begin with &#8220;All Or Nothing At All&#8221; and end with &#8220;I&#8217;m A Fool To Want You.&#8221; They encompass a large percentage of what Sinatra recorded for Columbia and RCA Victor, first as the boy wonder of band singers, finally [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[5],"tags":[],"class_list":{"0":"post-1188","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-recommendations","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1188","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=1188"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1188\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=1188"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=1188"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=1188"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}