{"id":1182,"date":"2007-12-26T12:41:51","date_gmt":"2007-12-26T20:41:51","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=1182"},"modified":"2007-12-26T12:41:51","modified_gmt":"2007-12-26T20:41:51","slug":"other_places_and_jelly_roll","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2007\/12\/other_places_and_jelly_roll\/","title":{"rendered":"Other Places And Jelly Roll"},"content":{"rendered":"<p>I am adding to <strong>Other Places<\/strong> a link to <em><a href=\"http:\/\/nightlights.blogs.wfiu.org\/\"target=\"_+blank\">Night Lights<\/a><\/em>, a fine web log by David Brent Johnson of WFIU at Indiana University.<br \/>\nThe current offering at <a href=\"http:\/\/jazzwax.com:80\/\"target=\"_blank\"><em>JazzWax <\/em><\/a>is a moving account of Jelly Roll Morton&#8217;s last recording session and his shameful, racist, mistreatment by ASCAP. I don&#8217;t know if film of Moton performing exists.  But if you&#8217;d like an explanation and demonstration of Morton&#8217;s piano style, you can&#8217;t do better than this <a href=\"http:\/\/www.youtube.com\/watch?v=9RFK-EXmZBQ\"target=\"_blank\">visit with Dick Hyman<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I am adding to Other Places a link to Night Lights, a fine web log by David Brent Johnson of WFIU at Indiana University. The current offering at JazzWax is a moving account of Jelly Roll Morton&#8217;s last recording session and his shameful, racist, mistreatment by ASCAP. I don&#8217;t know if film of Moton performing [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-1182","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1182","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=1182"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1182\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=1182"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=1182"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=1182"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}