{"id":1152,"date":"2007-12-05T01:04:00","date_gmt":"2007-12-05T09:04:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=1152"},"modified":"2007-12-05T01:04:00","modified_gmt":"2007-12-05T09:04:00","slug":"cd_linda_ciofalo","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2007\/12\/cd_linda_ciofalo\/","title":{"rendered":"CD: Linda Ciofalo"},"content":{"rendered":"<p>Linda Ciofalo, <a href=\"http:\/\/www.amazon.com\/gp\/redirect.html?ie=UTF8&#038;location=http%3A%2F%2Fwww.amazon.com%2FSun-Set-Linda-Ciofalo%2Fdp%2FB000U6BT68%3Fie%3DUTF8%26s%3Dmusic%26qid%3D1196804857%26sr%3D1-1&#038;tag=rifftidougram-20&#038;linkCode=ur2&#038;camp=1789&#038;creative=9325\"target=\"_blank\"><em>Sun Set <\/em><\/a>(Lucky Jazz). Matt Wilson, the drummer on the CD, suggested that I would like Ciofalo. I do. She is adventurous, but not to the point of disrespecting the material. She sings in tune, uses time play in her phrasing without losing rhythmic consistency and has a light, creamy voice that now and then drops to surprising depth. She is willing to take risks&#8211;for instance, singing with only drums or bass&#8211;and makes it clear that she enjoys what she does. Ciofalo is as convincing with a Beatles song as one by Gershwin or Rodgers. The band, John di Martino (p.), John Hart (g.), Joel Frahm (t.s.), Marcus McLaurine (b.) and Wilson (dr.), is splendid.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Linda Ciofalo, Sun Set (Lucky Jazz). Matt Wilson, the drummer on the CD, suggested that I would like Ciofalo. I do. She is adventurous, but not to the point of disrespecting the material. She sings in tune, uses time play in her phrasing without losing rhythmic consistency and has a light, creamy voice that now [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[5],"tags":[],"class_list":{"0":"post-1152","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-recommendations","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1152","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=1152"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1152\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=1152"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=1152"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=1152"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}