{"id":1151,"date":"2007-12-05T01:05:00","date_gmt":"2007-12-05T09:05:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=1151"},"modified":"2007-12-05T01:05:00","modified_gmt":"2007-12-05T09:05:00","slug":"cd_keith_jarrett","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2007\/12\/cd_keith_jarrett\/","title":{"rendered":"CD: Keith Jarrett"},"content":{"rendered":"<p>Keith Jarrett, Gary Peacock, Jack DeJohnette, <a href=\"http:\/\/www.amazon.com\/gp\/redirect.html?ie=UTF8&#038;location=http%3A%2F%2Fwww.amazon.com%2FMy-Foolish-Heart-Keith-Jarrett%2Fdp%2FB000TLPW3A%3Fie%3DUTF8%26s%3Dmusic%26qid%3D1196803886%26sr%3D1-1&#038;tag=rifftidougram-20&#038;linkCode=ur2&#038;camp=1789&#038;creative=9325\"target=\"_blank\"><em>My Foolish Heart<\/em><\/a> (ECM). In his notes, Jarrett writes that this recording presents his Standards Trio &#8220;at its most buoyant, swinging, melodic and dynamic.&#8221; Sure does. For evidence, follow the link above and sample Jarrett summoning the spirit of Fats Waller in &#8220;Honeysuckle Rose.&#8221; Lately, I&#8217;ve had this disc permanently inserted in my CD changer with &#8220;Straight No Chaser&#8221; on repeat. I can&#8217;t seem to accumulate enough hearings of the trio&#8217;s quirky collective improvisation on Monk&#8217;s blues.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Keith Jarrett, Gary Peacock, Jack DeJohnette, My Foolish Heart (ECM). In his notes, Jarrett writes that this recording presents his Standards Trio &#8220;at its most buoyant, swinging, melodic and dynamic.&#8221; Sure does. For evidence, follow the link above and sample Jarrett summoning the spirit of Fats Waller in &#8220;Honeysuckle Rose.&#8221; Lately, I&#8217;ve had this disc [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[5],"tags":[],"class_list":{"0":"post-1151","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-recommendations","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1151","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=1151"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1151\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=1151"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=1151"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=1151"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}