{"id":11413,"date":"2019-09-27T17:26:54","date_gmt":"2019-09-28T00:26:54","guid":{"rendered":"https:\/\/www.artsjournal.com\/rifftides\/?p=11413"},"modified":"2019-09-29T21:43:41","modified_gmt":"2019-09-30T04:43:41","slug":"more-from-boukas-and-arques-and-brazil","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2019\/09\/more-from-boukas-and-arques-and-brazil\/","title":{"rendered":"More From Boukas And Arques&#8230;And Brazil"},"content":{"rendered":"<p>The recent <a href=\"https:\/\/www.artsjournal.com\/rifftides\/2019\/09\/recent-listening-richard-boukas-louis-arques-via-brazil.html\"><em>Rifftides<\/em> review<\/a> of the Richard Boukas-Louis Arques album of music by Brazilian composers drew this comment from guitarist and composer Boukas:<\/p>\n<p><em>The video you embedded is from our newest suite, <em>A Dozen Choro Tributes<\/em>. The suite will be premiered on November 8 in New York City as part of the NYC Classical Guitar Salon Series. Although our original repertoire is contemporary Brazilian chamber music, it uses popular Brazilian genres as its foundation and has some jazz influences as well. As with all of my pieces for the duo, each is a tribute to a great Brazilian composer\/musician.<\/em><\/p>\n<p>Here is another piece from the Boukas-Arques duo album, this time with Louis Arques playing bass clarinet: The piece is dedicated to the &#8221;\u00a0influential composer known by the single name Pixinguinha.<\/p>\n<p align=\"center\"><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/fsPKtU-5YxM\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>I hope that performance makes it easier to have a good weekend.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The recent Rifftides review of the Richard Boukas-Louis Arques album of music by Brazilian composers drew this comment from guitarist and composer Boukas: The video you embedded is from our newest suite, A Dozen Choro Tributes. The suite will be premiered on November 8 in New York City as part of the NYC Classical Guitar [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":11418,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-11413","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-main","8":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/11413","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=11413"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/11413\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media\/11418"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=11413"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=11413"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=11413"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}