{"id":11363,"date":"2019-08-31T17:12:27","date_gmt":"2019-09-01T00:12:27","guid":{"rendered":"https:\/\/www.artsjournal.com\/rifftides\/?p=11363"},"modified":"2019-08-31T17:15:14","modified_gmt":"2019-09-01T00:15:14","slug":"recent-listening-strosahl-and-sanders","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2019\/08\/recent-listening-strosahl-and-sanders\/","title":{"rendered":"Recent Listening: Strosahl And Sanders"},"content":{"rendered":"<p>Earlier this week at The Seasons, an acoustically blessed performance hall in Yakima, Washington, alto saxophonist Logan Strosahl and pianist Nick Sanders demonstrated the like-mindedness that makes them one of the most riveting duos in jazz. Sanders (on the left here) traveled to the Pacific Northwest from New York, his headquarters for a decade. Strosahl was visiting from Berlin, Germany, where he has been expanding his musical <a href=\"https:\/\/www.amazon.com\/Book-Arthur-LOGAN-TEAM-STROSAHL\/dp\/B073H8C5KB\/ref=sr_1_fkmr0_1?keywords=Logan+Strosahl+Book+1+Of+Arthur&amp;qid=1567295053&amp;s=gateway&amp;sr=8-1-fkmr0\" target=\"_blank\" rel=\"noopener noreferrer\">trilogy based on the King Arthur legend<\/a>. The album cover below shows that project&#8217;s first volume.<\/p>\n<p><a href=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2019\/08\/71qEh0ZimBL._SX522_-e1567295962241.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-11364 aligncenter\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2019\/08\/71qEh0ZimBL._SX522_-e1567295962241.jpg\" alt=\"\" width=\"264\" height=\"264\" \/><\/a><\/p>\n<p>Strosahl&#8217;s and Sanders&#8217; repertoire at The Seasons included dazzling original compositions, jazz standards by&#8211;among others&#8211;Charlie Parker and Thelonious Monk, and classics from what has become known as The Great American Songbook. Among the latter was the 1935 Jimmy McHugh-Dorothy Fields standard &#8220;I&#8217;m In The Mood For Love.&#8221; There is no video from this week&#8217;s concert at The Seasons, but Logan and Sanders recorded the piece recently in New York City at the club called Mezzrow.<\/p>\n<div align=\"&quot;center\">\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/JTqCMSAAmNo\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<div>\n<p>Nick Sanders, piano, and Logan Strosahl, saxophone. A pair to keep your ears on.<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Earlier this week at The Seasons, an acoustically blessed performance hall in Yakima, Washington, alto saxophonist Logan Strosahl and pianist Nick Sanders demonstrated the like-mindedness that makes them one of the most riveting duos in jazz. Sanders (on the left here) traveled to the Pacific Northwest from New York, his headquarters for a decade. Strosahl [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-11363","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry","8":"has-post-thumbnail"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/11363","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=11363"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/11363\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=11363"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=11363"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=11363"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}