{"id":1115,"date":"2007-10-08T01:04:05","date_gmt":"2007-10-08T08:04:05","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=1115"},"modified":"2007-10-08T01:04:05","modified_gmt":"2007-10-08T08:04:05","slug":"libros_libertad","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2007\/10\/libros_libertad\/","title":{"rendered":"Libros Libertad"},"content":{"rendered":"<p>The British Columbia newspaper <em>Peace Arch News<\/em> has a report about the success of Libros Libertad, the publisher of <em>Poodie James<\/em>.<\/p>\n<blockquote><p>With five books released so far &#8211; and as many on the way by year&#8217;s end, the imprint is rapidly gaining stature and credibility with its up-market style paperbacks.<br \/>\n<em>Poodie James<\/em>, a novel by veteran U.S. broadcaster Doug Ramsey has already become a break-out hit, selling out its first printing. <em>The Passage of Sono Nis<\/em> is a definitive collection of works by internationally respected author J. Michael Yates &#8211; who is also senior editor for the company. And well-known jazz writer\/lyricist Gene Lees (&#8220;Yesterday I Heard The Rain,&#8221; &#8220;Quiet Nights of Quiet Stars&#8221;) is readying a novel, <em>Song Lake Summer<\/em>, for release by Libros Libertad.<\/p><\/blockquote>\n<p>To read the whole thing, <a href=\"http:\/\/www.peacearchnews.com\/\"target=\"_blank\">go here<\/a> and click on the &#8220;entertainment&#8221; tab.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The British Columbia newspaper Peace Arch News has a report about the success of Libros Libertad, the publisher of Poodie James. With five books released so far &#8211; and as many on the way by year&#8217;s end, the imprint is rapidly gaining stature and credibility with its up-market style paperbacks. Poodie James, a novel by [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-1115","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1115","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=1115"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1115\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=1115"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=1115"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=1115"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}