{"id":1107,"date":"2007-10-11T01:02:00","date_gmt":"2007-10-11T08:02:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=1107"},"modified":"2007-10-11T01:02:00","modified_gmt":"2007-10-11T08:02:00","slug":"book_ron_hudson","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2007\/10\/book_ron_hudson\/","title":{"rendered":"Book: Ron Hudson"},"content":{"rendered":"<p>Ron Hudson, <a href=\"http:\/\/www.ronhudsonjazzphotography.com\/book.php\"target=\"_blank\"><em>Right Down Front <\/em><\/a>(Jazzpress). A master of the moment, Hudson makes portraits of musicians in the act of creation. His cover shot of Milt Jackson &#8211;eyes closed, one hand grasping his vibes mallets, the other raised in affirmation&#8211; illustrates the spirit of the book&#8217;s title. His photographs define personalities as varied as those of Maynard Ferguson, Jon Hendricks, Elvin Jones, Ingrid Jensen, Carmen McRae, Ray Charles and a hundred or so others. I&#8217;ve never seen a better illustration than Hudson&#8217;s of Ray Brown&#8217;s power of concentration.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ron Hudson, Right Down Front (Jazzpress). A master of the moment, Hudson makes portraits of musicians in the act of creation. His cover shot of Milt Jackson &#8211;eyes closed, one hand grasping his vibes mallets, the other raised in affirmation&#8211; illustrates the spirit of the book&#8217;s title. His photographs define personalities as varied as those [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[5],"tags":[],"class_list":{"0":"post-1107","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-recommendations","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1107","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=1107"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1107\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=1107"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=1107"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=1107"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}