{"id":11033,"date":"2019-04-05T17:45:58","date_gmt":"2019-04-06T00:45:58","guid":{"rendered":"https:\/\/www.artsjournal.com\/rifftides\/?p=11033"},"modified":"2019-04-05T17:47:28","modified_gmt":"2019-04-06T00:47:28","slug":"scott-robinsons-tenormore","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2019\/04\/scott-robinsons-tenormore\/","title":{"rendered":"Scott Robinson&#8217;s &#8220;Tenormore&#8221;"},"content":{"rendered":"<p>A couple of months ago, I mentioned that I had been given the privilege and pleasure of writing the liner notes for Scott Robinson\u00e2\u20ac\u2122s new album. Today, he announced that the CD has been released. His notice includes background about the project, a link to a promotional video and a link to the company that is releasing <em>Tenormore<\/em>. Reading what Scott wrote, you may get the feeling that he\u00e2\u20ac\u2122s happy with the results. He should be.<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2019\/04\/81VVAzXoXL._SX522_.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-11034\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2019\/04\/81VVAzXoXL._SX522_.jpg\" alt=\"\" width=\"255\" height=\"227\" srcset=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2019\/04\/81VVAzXoXL._SX522_.jpg 522w, https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2019\/04\/81VVAzXoXL._SX522_-300x267.jpg 300w\" sizes=\"auto, (max-width: 255px) 100vw, 255px\" \/><\/a>Today<em> is the official release day for my new CD, <\/em>Tenormore<em>. It is my first all-tenor sax album &#8211; something that&#8217;s been a long time coming &#8211; featuring the same 1924 Conn tenor I&#8217;ve been playing all these years, that came out of an antique shop in 1975. This is also the first album by my longstanding group with Helen Sung, Martin Wind and Dennis Mackrel. See our little promo video <a href=\"https:\/\/youtu.be\/PTX8sgfINww\" target=\"_blank\" rel=\"noopener noreferrer\">here.<\/a><\/em><\/p>\n<p><em>Please help me celebrate my 60th birthday month by checking out this very special project, which has already been rated 4 stars in <\/em>DownBeat<em> and 4 1\/2 stars in <\/em>All About Jazz<em>. This new album is from Arbors Records (not ScienSonic), and you can pick it up <a href=\"https:\/\/arborsrecords.com\/collections\/frontpage\/products\/scott-robinson-tenormore\">here<\/a> (trust me, you will be pleasantly surprised at the price!)&#8221;\u00a0<\/em><\/p>\n<p>&nbsp;<\/p>\n<p>An out-and-out plug on&#8221;\u00a0<em>Rifftides<\/em>&#8221;\u00a0is rare. This one is an exception we are happy to make.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A couple of months ago, I mentioned that I had been given the privilege and pleasure of writing the liner notes for Scott Robinson\u00e2\u20ac\u2122s new album. Today, he announced that the CD has been released. His notice includes background about the project, a link to a promotional video and a link to the company that [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":11034,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-11033","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-main","8":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/11033","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=11033"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/11033\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media\/11034"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=11033"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=11033"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=11033"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}