{"id":1099,"date":"2007-10-01T01:05:00","date_gmt":"2007-10-01T08:05:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=1099"},"modified":"2007-10-01T01:05:00","modified_gmt":"2007-10-01T08:05:00","slug":"second_printing","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2007\/10\/second_printing\/","title":{"rendered":"Second Printing"},"content":{"rendered":"<p>Pardon my pride, but less than a month after seeing the light of day, <em>Poodie James<\/em> has gone into a second printing. Thank you.<br \/>\n<img loading=\"lazy\" decoding=\"async\" alt=\"Poodie%20cover.jpg\" src=\"http:\/\/www.artsjournal.com\/rifftides\/Poodie%20cover.jpg\" width=\"120\" height=\"120\" \/><br \/>\nFor further information (how to order, for instance), <a href=\"http:\/\/www.libroslibertad.ca\"target=\"_blank\">click here<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Pardon my pride, but less than a month after seeing the light of day, Poodie James has gone into a second printing. Thank you. For further information (how to order, for instance), click here.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-1099","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1099","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=1099"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1099\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=1099"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=1099"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=1099"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}