{"id":107,"date":"2005-08-19T01:04:00","date_gmt":"2005-08-19T08:04:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=107"},"modified":"2005-08-19T01:04:00","modified_gmt":"2005-08-19T08:04:00","slug":"comment_1","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2005\/08\/comment_1\/","title":{"rendered":"Comment"},"content":{"rendered":"<p>Thanks for reminding me about the Phil Woods DVD, and Phil&#8217;s Quincy Jones CD.  I&#8217;ve just ordered both&#8230;  I noticed them first a few weeks back when I ordered the Bill Holman Live release.  BTW, &#8216;Rifftides&#8217; has become a daily reference for me.  Thanks!<br \/>\nTed O&#8217;Reilly<br \/>\n<em>Ted O&#8217;Reilly is a distinguished Toronto broadcaster and producer.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Thanks for reminding me about the Phil Woods DVD, and Phil&#8217;s Quincy Jones CD. I&#8217;ve just ordered both&#8230; I noticed them first a few weeks back when I ordered the Bill Holman Live release. BTW, &#8216;Rifftides&#8217; has become a daily reference for me. Thanks! Ted O&#8217;Reilly Ted O&#8217;Reilly is a distinguished Toronto broadcaster and producer.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-107","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/107","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=107"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/107\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=107"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=107"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=107"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}