{"id":1065,"date":"2007-08-27T13:00:00","date_gmt":"2007-08-27T20:00:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=1065"},"modified":"2015-08-03T01:23:31","modified_gmt":"2015-08-03T08:23:31","slug":"dougs_books","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2007\/08\/dougs_books\/","title":{"rendered":"&#8230;Doug&#8217;s books"},"content":{"rendered":"<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><a title=\"Poodie James\" href=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2013\/03\/pood_front.jpg\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" class=\"mt-image-left\" style=\"float: left; margin: 0 20px 20px 0;\" alt=\"Poodie 2.jpg\" src=\"http:\/\/www.artsjournal.com\/rifftides\/assets_c\/2009\/06\/Poodie 2-thumb-90x138-7812.jpg\" width=\"90\" height=\"138\" \/><\/a><\/span>Doug&#8217;s most recent book is a novel,<a href=\"http:\/\/www.libroslibertad.ca\/book.php?id=5\" target=\"_blank\"><em>Poodie James<\/em><\/a>. Previously, he published <a href=\"http:\/\/www.parksidepublications.com\/takefive.html\" target=\"_blank\"><em>Take Five: The Public and Private Lives of Paul Desmond<\/em><\/a>. He is also the author of <em><a href=\"http:\/\/www.amazon.com\/exec\/obidos\/ASIN\/1557280614\/qid=1118429455\/sr=2-1\/ref=pd_bbs_b_2_1\/103-7027671-5383850\" target=\"_blank\"><em>Jazz Matters: Reflections on the Music and Some of its Makers<\/em><\/a><\/em>. He contributed to <a href=\"http:\/\/www.amazon.com\/exec\/obidos\/tg\/detail\/-\/019512510X\/103-7027671-5383850?v=glance\" target=\"_blank\"><em>The Oxford Companion to Jazz<\/em><\/a> and co-edited <a href=\"http:\/\/www.amazon.com\/Journalism-Ethics-Change-Doug-Ramsey\/dp\/9999472176\" target=\"_blank\"><em>Journalism Ethics: Why Change?<\/em><\/a> He is at work on another novel in which, as in <em>Poodie James<\/em>, music is incidental.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Doug&#8217;s most recent book is a novel,Poodie James. Previously, he published Take Five: The Public and Private Lives of Paul Desmond. He is also the author of Jazz Matters: Reflections on the Music and Some of its Makers. He contributed to The Oxford Companion to Jazz and co-edited Journalism Ethics: Why Change? He is at [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[3],"tags":[],"class_list":{"0":"post-1065","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-about","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1065","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=1065"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1065\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=1065"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=1065"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=1065"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}