{"id":106,"date":"2005-08-19T01:03:30","date_gmt":"2005-08-19T08:03:30","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=106"},"modified":"2005-08-19T01:03:30","modified_gmt":"2005-08-19T08:03:30","slug":"comment","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2005\/08\/comment\/","title":{"rendered":"Comment"},"content":{"rendered":"<p>Just read your <a href=\"http:\/\/www.artsjournal.com\/rifftides\/archives\/2005\/08\/flowing_at_yosh.html\"target=\"_blank\">review <\/a>of Blanchard&#8217;s set at Yoshi&#8217;s. I saw the band&#8217;s last set at Jazz Alley on the 7th. I&#8217;m still sorting out my own reaction to the music that evening. Certainly an entertaining show, and really a treat to see Aaron Parks continued growth.<br \/>\nCheers,<br \/>\nBruce Moore<br \/>\n<em>Bruce Moore is a photographer in Seattle. You can see some of his images of the Blanchard Band <a href=\"http:\/\/brucecmoore.com\/pages\/blanchard.html\"target=\"_blank\">here<\/a>.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Just read your review of Blanchard&#8217;s set at Yoshi&#8217;s. I saw the band&#8217;s last set at Jazz Alley on the 7th. I&#8217;m still sorting out my own reaction to the music that evening. Certainly an entertaining show, and really a treat to see Aaron Parks continued growth. Cheers, Bruce Moore Bruce Moore is a photographer [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-106","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/106","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=106"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/106\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=106"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=106"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=106"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}