{"id":1054,"date":"2007-08-18T01:05:00","date_gmt":"2007-08-18T08:05:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=1054"},"modified":"2007-08-18T01:05:00","modified_gmt":"2007-08-18T08:05:00","slug":"whatever_happened_to_carl_payn","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2007\/08\/whatever_happened_to_carl_payn\/","title":{"rendered":"Whatever Happened To Carl Payne?"},"content":{"rendered":"<p>Curiosity overtook me today about Carl Payne, the San Francisco cable car bell-ringer who collaborated with the great drummer Max Roach. I found Payne by telephone and added the story of what he&#8217;s been up to since he sat in with Max in 1981. To read it at the end of the original posting, <a href=\"http:\/\/www.artsjournal.com\/rifftides\/archives\/2007\/08\/max_roach.html\">go here<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Curiosity overtook me today about Carl Payne, the San Francisco cable car bell-ringer who collaborated with the great drummer Max Roach. I found Payne by telephone and added the story of what he&#8217;s been up to since he sat in with Max in 1981. To read it at the end of the original posting, go [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-1054","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1054","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=1054"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1054\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=1054"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=1054"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=1054"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}