{"id":10530,"date":"2018-10-31T17:30:06","date_gmt":"2018-11-01T00:30:06","guid":{"rendered":"https:\/\/www.artsjournal.com\/rifftides\/?p=10530"},"modified":"2018-10-31T17:31:48","modified_gmt":"2018-11-01T00:31:48","slug":"catching-up-as-always-recent-listening-in-brief","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2018\/10\/catching-up-as-always-recent-listening-in-brief\/","title":{"rendered":"Catching Up, As Always: Recent Listening In Brief"},"content":{"rendered":"<p>Well, sometimes recordings arrive, sit on the shelves a while and then start calling to the reviewer to pay attention.<\/p>\n<p><strong>Randy Waldman<\/strong>, <a href=\"https:\/\/www.amazon.com\/Superheroes-Randy-Waldman\/dp\/B07G2PK4FV\/ref=as_li_ss_tl?ie=UTF8&amp;linkCode=sl1&amp;tag=rifftidougram-20&amp;linkId=9dafbb4bd11e49258cfe975d66eb5737&amp;language=en_US\" target=\"_blank\" rel=\"noopener\">Superheroes<\/a> (BFM Jazz)<\/p>\n<p><a href=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2018\/10\/61qHQyegezL-e1541031626451.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-10531\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2018\/10\/61qHQyegezL-e1541031626451.jpg\" alt=\"\" width=\"316\" height=\"316\" \/><\/a>Along with his Los Angeles studio work, the veteran arranger and pianist Waldman has for years been Barbara Streisand\u00e2\u20ac\u2122s arranger and accompanist. His <em>Superheroes<\/em> venture emphasizes his arranging skills. It brings together a passel of first-rate jazz soloists and sidemen to play themes from movies and television shows built around Superman, Spiderman, Batman, the Six Million Dollar Man, X-men and\u00e2\u20ac\u201dwell, you get the idea. Among the musicians who help to elevate the concept above what might have been a commonplace recital of themes are trumpeters Randy Brecker, Wayne Bergeron, Till Br\u00c3\u00b6ner, Wynton Marsalis and Arturo Sandoval; saxophonists Eddie Daniels, Chris Potter and Brandon Fields; trombonist Bob McChesney, pianist Chick Corea and guitarist George Benson.<\/p>\n<p>Together and separately, drummers Steve Gadd and Vinnie Colaiuta stoke the rhythm section with remarkable energy that helps give substance to the <em>Mighty Mouse<\/em> theme, of all things, and to Waldman\u00e2\u20ac\u2122s piano solo on the piece. The vocal group Take Six harmonizes the <em>Spiderman<\/em> theme. Corea makes the theme from <em>The Incredible Hulk<\/em> a reflective, almost somber, statement that includes an attractive contribution from guitarist Michael O\u00e2\u20ac\u2122Neill. In all, Waldman brings surprising depth and interest to music from a remote corner of pop culture.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Kate McGarry<\/strong>, <a href=\"https:\/\/www.amazon.com\/Subject-Tonight-Love-Kate-McGarry\/dp\/B079M1CQMS\/ref=as_li_ss_tl?ie=UTF8&amp;linkCode=sl1&amp;tag=rifftidougram-20&amp;linkId=a3ac390c212616b7cdd9d10b4fef5db6&amp;language=en_US\" target=\"_blank\" rel=\"noopener\">The Subject Tonight Is Love<\/a> (Binxtown Records)<\/p>\n<p>Ms. McGarry\u00e2\u20ac\u201dher voice high, sweet, perfectly in tune\u00e2\u20ac\u201dcan be disarming when the listener<a href=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2018\/10\/51-qWiKG1FL-e1541031846441.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-10532\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2018\/10\/51-qWiKG1FL-e1541031846441.jpg\" alt=\"\" width=\"337\" height=\"337\" \/><\/a> becomes aware that she is giving her composition \u00e2\u20ac\u0153Climb Down\u00e2\u20ac\u009d the kind of toughness more likely from Lucinda Williams or Bessie Smith. Following it, she blends into the traditional Irish song \u00e2\u20ac\u0153Whiskey You\u00e2\u20ac\u2122re The Devil,\u00e2\u20ac\u009d with guest artist Obed Calvaire\u00e2\u20ac\u2122s snare drum underlining the drama of the song\u00e2\u20ac\u2122s threat.<\/p>\n<p>There is little of Doris Day in McGarry\u00e2\u20ac\u2122s approach to one of Day\u00e2\u20ac\u2122s big hits, \u00e2\u20ac\u0153Secret Love.\u00e2\u20ac\u009d The chirpiness of her delivery aside, she reaches into the song\u00e2\u20ac\u2122s essential sadness and disappointment. McGarry\u00e2\u20ac\u2122s accompanists are guitarist Keith Ganz and Gary Versace on his array of keyboard instruments including the accordion, of which he is a modern master. McGarry captures the yearning of Rogers and Hart\u00e2\u20ac\u2122s \u00e2\u20ac\u0153My Funny Valentine\u00e2\u20ac\u009d and gives it balance with just the right melismatic touch of note variation. Trumpeter Ron Miles is McGarry\u00e2\u20ac\u2122s guest soloist on her extremely brief nod to Lennon and McCartney, \u00e2\u20ac\u0153All You Need Is Love.\u00e2\u20ac\u009d Miles\u00e2\u20ac\u2122s effectiveness may you wish that the track were at least twice as long.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Well, sometimes recordings arrive, sit on the shelves a while and then start calling to the reviewer to pay attention. Randy Waldman, Superheroes (BFM Jazz) Along with his Los Angeles studio work, the veteran arranger and pianist Waldman has for years been Barbara Streisand\u00e2\u20ac\u2122s arranger and accompanist. His Superheroes venture emphasizes his arranging skills. It [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-10530","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry","8":"has-post-thumbnail"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/10530","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=10530"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/10530\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=10530"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=10530"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=10530"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}