{"id":10507,"date":"2018-10-28T13:46:22","date_gmt":"2018-10-28T20:46:22","guid":{"rendered":"https:\/\/www.artsjournal.com\/rifftides\/?p=10507"},"modified":"2018-10-28T13:53:59","modified_gmt":"2018-10-28T20:53:59","slug":"autumn-leaves-2018","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2018\/10\/autumn-leaves-2018\/","title":{"rendered":"Autumn Leaves, 2018"},"content":{"rendered":"<p><a href=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2018\/10\/Autumn-Leaves-1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-10508\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2018\/10\/Autumn-Leaves-1.jpg\" alt=\"\" width=\"493\" height=\"345\" srcset=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2018\/10\/Autumn-Leaves-1.jpg 493w, https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2018\/10\/Autumn-Leaves-1-300x210.jpg 300w\" sizes=\"auto, (max-width: 493px) 100vw, 493px\" \/><\/a><\/p>\n<p>Every fall season, it\u00e2\u20ac\u2122s the same problem; whose version of \u00e2\u20ac\u0153Autumn Leaves\u00e2\u20ac\u009d to use with this year\u00e2\u20ac\u2122s photograph. Perhaps it\u00e2\u20ac\u2122s not surprising how often the winner turns out to be Bill Evans with Scott LaFaro, bass, and Paul Motian, drums, in this 1959 recording.<\/p>\n<div align=\"center\">\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/r-Z8KuwI7Gc\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<div>\n<p style=\"text-align: left;\">That&#8217;s from the Bill Evans album &lt;em&gt;<a href=\"https:\/\/amzn.to\/2JmOeMi\">Portrait In Jazz<\/a>&lt;\/em&gt;<\/p>\n<p style=\"text-align: center;\"><strong>Top photo: Maples<\/strong><\/p>\n<p style=\"text-align: center;\"><strong>Bottom photo: Dogwoods<\/strong><\/p>\n<p><a href=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2018\/10\/Autumn-Leaves-2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-10509\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2018\/10\/Autumn-Leaves-2.jpg\" alt=\"\" width=\"500\" height=\"281\" srcset=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2018\/10\/Autumn-Leaves-2.jpg 500w, https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2018\/10\/Autumn-Leaves-2-300x169.jpg 300w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/a><\/p>\n<p style=\"text-align: left;\">Have a lovely Fall season.<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Every fall season, it\u00e2\u20ac\u2122s the same problem; whose version of \u00e2\u20ac\u0153Autumn Leaves\u00e2\u20ac\u009d to use with this year\u00e2\u20ac\u2122s photograph. Perhaps it\u00e2\u20ac\u2122s not surprising how often the winner turns out to be Bill Evans with Scott LaFaro, bass, and Paul Motian, drums, in this 1959 recording. That&#8217;s from the Bill Evans album &lt;em&gt;Portrait In Jazz&lt;\/em&gt; Top photo: [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-10507","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry","8":"has-post-thumbnail"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/10507","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=10507"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/10507\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=10507"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=10507"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=10507"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}