{"id":1035,"date":"2007-08-06T00:05:00","date_gmt":"2007-08-06T07:05:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=1035"},"modified":"2007-08-06T00:05:00","modified_gmt":"2007-08-06T07:05:00","slug":"the_expanding_blog_universe","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2007\/08\/the_expanding_blog_universe\/","title":{"rendered":"The Expanding Blog Universe"},"content":{"rendered":"<p>Jazz blogs are proliferating. Two recent entries worth investigating are Marc Myers&#8217;s <a href=\"http:\/\/www.JazzWax.com.\"target=\"_blank\"><em>JazzWax<\/em><\/a>, whose current posting is an evaluation of Benny Carter, and Chicago bassist Bill Harrison&#8217;s <a href=\"http:\/\/jazzunderneath.blogspot.com\"target=\"_blank\"><em>Jazz Underneath<\/em><\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Jazz blogs are proliferating. Two recent entries worth investigating are Marc Myers&#8217;s JazzWax, whose current posting is an evaluation of Benny Carter, and Chicago bassist Bill Harrison&#8217;s Jazz Underneath.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-1035","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1035","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=1035"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1035\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=1035"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=1035"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=1035"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}