{"id":10274,"date":"2018-09-20T12:32:16","date_gmt":"2018-09-20T19:32:16","guid":{"rendered":"https:\/\/www.artsjournal.com\/rifftides\/?p=10274"},"modified":"2018-09-20T12:32:16","modified_gmt":"2018-09-20T19:32:16","slug":"remembering-monica-z","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2018\/09\/remembering-monica-z\/","title":{"rendered":"Remembering Monica Z"},"content":{"rendered":"<p><a href=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2018\/09\/monica-zetterlund.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-10275 aligncenter\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2018\/09\/monica-zetterlund.jpg\" alt=\"\" width=\"469\" height=\"390\" \/><\/a><\/p>\n<p>This is the birthday of Monica Zetterlund (1937-2005). It may have been too long since you have seen the Swedish singer performing one of Bill Evans\u00e2\u20ac\u2122 most beloved songs. We can help. She was taped in Copenhagen almost exactly 52 years ago when the Bill Evans Trio included bassist Eddie Gomez and the Danish drummer Alex Riel.<\/p>\n<div align=\"center\">\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/BTWALZesqUo\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<div style=\"text-align: left;\">Ms. Zetterlund achieved considerable fame as an actress. This clip reminds us of her achievement as a vocal artist with pronounced dramatic and musical qualities.<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>This is the birthday of Monica Zetterlund (1937-2005). It may have been too long since you have seen the Swedish singer performing one of Bill Evans\u00e2\u20ac\u2122 most beloved songs. We can help. She was taped in Copenhagen almost exactly 52 years ago when the Bill Evans Trio included bassist Eddie Gomez and the Danish drummer [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-10274","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry","8":"has-post-thumbnail"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/10274","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=10274"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/10274\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=10274"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=10274"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=10274"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}