{"id":1005,"date":"2007-07-07T11:16:40","date_gmt":"2007-07-07T18:16:40","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=1005"},"modified":"2007-07-07T11:16:40","modified_gmt":"2007-07-07T18:16:40","slug":"weekend_extra_news_from_bluepo","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2007\/07\/weekend_extra_news_from_bluepo\/","title":{"rendered":"Weekend Extra: News From Blueport"},"content":{"rendered":"<p>A message from Bill Crow:<\/p>\n<blockquote><p>Here&#8217;s a <em><a href=\"http:\/\/nl.youtube.com\/watch?v=HXQhsNSIRys\"target=\"_blank\">YouTube<\/a><\/em> video I found, of the Gerry Mulligan Quartet in Rome, 1959,<br \/>\nplaying my tune.<br \/>\n<br \/>Bill Crow<\/p><\/blockquote>\n<p>The composer is featured on bass. The trumpeter is Art Farmer, the drummer Dave Bailey. The Chinese Shadow Show effect is interesting. Just try to disregard the venetian-blind video and enjoy one of Mulligan&#8217;s greatest quartets playing Mr. Crow&#8217;s intriguing blues waltz.<br \/>\nWhile you&#8217;re in <em>YouTube<\/em> territory, why not listen to the same group on the same occasion playing Mulligan&#8217;s &#8220;<a href=\"http:\/\/nl.youtube.com\/watch?v=HG12sk_L_MY&#038;mode=related&#038;search=\"target=\"_blank\">Spring is Sprung<\/a>,&#8221; a blues of another color.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A message from Bill Crow: Here&#8217;s a YouTube video I found, of the Gerry Mulligan Quartet in Rome, 1959, playing my tune. Bill Crow The composer is featured on bass. The trumpeter is Art Farmer, the drummer Dave Bailey. The Chinese Shadow Show effect is interesting. Just try to disregard the venetian-blind video and enjoy [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-1005","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1005","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=1005"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/1005\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=1005"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=1005"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=1005"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}