{"id":1438,"date":"2017-10-04T11:29:56","date_gmt":"2017-10-04T11:29:56","guid":{"rendered":"http:\/\/www.artsjournal.com\/plainenglish\/wp\/wp-content\/uploads\/2017\/10\/ENO-Aida-Latonia-Moore-c-Tristram-Kenton-X4.jpg"},"modified":"2017-10-04T11:29:56","modified_gmt":"2017-10-04T11:29:56","slug":"image-use-embargoed-until-7-30pm-28-09-17","status":"inherit","type":"attachment","link":"https:\/\/www.artsjournal.com\/plainenglish\/2017\/10\/aida-at-the-eno-singing-the-words-of-one-song-to-the-tune-of-another.html\/image-use-embargoed-until-7-30pm-28-09-17","title":{"rendered":"Image use embargoed until 7.30pm 28-09-17"},"author":3,"featured_media":0,"comment_status":"open","ping_status":"closed","template":"","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false},"class_list":{"0":"post-1438","1":"attachment","2":"type-attachment","3":"status-inherit","5":"entry","6":"has-post-thumbnail"},"jetpack_shortlink":"https:\/\/wp.me\/abv6zV-nc","jetpack_sharing_enabled":true,"description":{"rendered":"<p class=\"attachment\"><a href=\"https:\/\/i0.wp.com\/www.artsjournal.com\/plainenglish\/wp\/wp-content\/uploads\/2017\/10\/ENO-Aida-Latonia-Moore-c-Tristram-Kenton-X4.jpg?ssl=1\"><img loading=\"lazy\" decoding=\"async\" width=\"224\" height=\"300\" src=\"https:\/\/i0.wp.com\/www.artsjournal.com\/plainenglish\/wp\/wp-content\/uploads\/2017\/10\/ENO-Aida-Latonia-Moore-c-Tristram-Kenton-X4.jpg?fit=224%2C300&amp;ssl=1\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/i0.wp.com\/www.artsjournal.com\/plainenglish\/wp\/wp-content\/uploads\/2017\/10\/ENO-Aida-Latonia-Moore-c-Tristram-Kenton-X4.jpg?w=1531&amp;ssl=1 1531w, https:\/\/i0.wp.com\/www.artsjournal.com\/plainenglish\/wp\/wp-content\/uploads\/2017\/10\/ENO-Aida-Latonia-Moore-c-Tristram-Kenton-X4.jpg?resize=224%2C300&amp;ssl=1 224w, https:\/\/i0.wp.com\/www.artsjournal.com\/plainenglish\/wp\/wp-content\/uploads\/2017\/10\/ENO-Aida-Latonia-Moore-c-Tristram-Kenton-X4.jpg?resize=768%2C1027&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.artsjournal.com\/plainenglish\/wp\/wp-content\/uploads\/2017\/10\/ENO-Aida-Latonia-Moore-c-Tristram-Kenton-X4.jpg?resize=766%2C1024&amp;ssl=1 766w\" sizes=\"auto, (max-width: 224px) 100vw, 224px\" \/><\/a><\/p>\n"},"caption":{"rendered":"<p>A scene from Aida by Verdi @ London Coliseum. An English National Opera production. Conducted by Keri-Lynn Wilson. Directed by Phelim McDermott. (Opening 28-09-17) \u00a9Tristram Kenton 09-17 (3 Raveley Street, LONDON NW5 2HX TEL 0207 267 5550  Mob 07973 617 355)email: tristram@tristramkenton.com<\/p>\n"},"alt_text":"","media_type":"image","mime_type":"image\/jpeg","media_details":{"width":1531,"height":2048,"file":"2017\/10\/ENO-Aida-Latonia-Moore-c-Tristram-Kenton-X4.jpg","sizes":{"thumbnail":{"file":"ENO-Aida-Latonia-Moore-c-Tristram-Kenton-X4-150x150.jpg","width":150,"height":150,"mime_type":"image\/jpeg","source_url":"https:\/\/i0.wp.com\/www.artsjournal.com\/plainenglish\/wp\/wp-content\/uploads\/2017\/10\/ENO-Aida-Latonia-Moore-c-Tristram-Kenton-X4.jpg?resize=150%2C150&ssl=1"},"medium":{"file":"ENO-Aida-Latonia-Moore-c-Tristram-Kenton-X4-224x300.jpg","width":224,"height":300,"mime_type":"image\/jpeg","source_url":"https:\/\/i0.wp.com\/www.artsjournal.com\/plainenglish\/wp\/wp-content\/uploads\/2017\/10\/ENO-Aida-Latonia-Moore-c-Tristram-Kenton-X4.jpg?fit=224%2C300&ssl=1"},"medium_large":{"file":"ENO-Aida-Latonia-Moore-c-Tristram-Kenton-X4-768x1027.jpg","width":768,"height":1027,"mime_type":"image\/jpeg","source_url":"https:\/\/i0.wp.com\/www.artsjournal.com\/plainenglish\/wp\/wp-content\/uploads\/2017\/10\/ENO-Aida-Latonia-Moore-c-Tristram-Kenton-X4.jpg?fit=768%2C1027&ssl=1"},"large":{"file":"ENO-Aida-Latonia-Moore-c-Tristram-Kenton-X4-766x1024.jpg","width":766,"height":1024,"mime_type":"image\/jpeg","source_url":"https:\/\/i0.wp.com\/www.artsjournal.com\/plainenglish\/wp\/wp-content\/uploads\/2017\/10\/ENO-Aida-Latonia-Moore-c-Tristram-Kenton-X4.jpg?fit=598%2C800&ssl=1"},"home-middle":{"file":"ENO-Aida-Latonia-Moore-c-Tristram-Kenton-X4-360x200.jpg","width":360,"height":200,"mime_type":"image\/jpeg","source_url":"https:\/\/i0.wp.com\/www.artsjournal.com\/plainenglish\/wp\/wp-content\/uploads\/2017\/10\/ENO-Aida-Latonia-Moore-c-Tristram-Kenton-X4.jpg?resize=360%2C200&ssl=1"},"home-top":{"file":"ENO-Aida-Latonia-Moore-c-Tristram-Kenton-X4-750x420.jpg","width":750,"height":420,"mime_type":"image\/jpeg","source_url":"https:\/\/i0.wp.com\/www.artsjournal.com\/plainenglish\/wp\/wp-content\/uploads\/2017\/10\/ENO-Aida-Latonia-Moore-c-Tristram-Kenton-X4.jpg?resize=750%2C420&ssl=1"},"sidebar-thumbnail":{"file":"ENO-Aida-Latonia-Moore-c-Tristram-Kenton-X4-100x100.jpg","width":100,"height":100,"mime_type":"image\/jpeg","source_url":"https:\/\/i0.wp.com\/www.artsjournal.com\/plainenglish\/wp\/wp-content\/uploads\/2017\/10\/ENO-Aida-Latonia-Moore-c-Tristram-Kenton-X4.jpg?resize=100%2C100&ssl=1"},"midsize-thumb":{"file":"ENO-Aida-Latonia-Moore-c-Tristram-Kenton-X4-200x200.jpg","width":200,"height":200,"mime_type":"image\/jpeg","source_url":"https:\/\/i0.wp.com\/www.artsjournal.com\/plainenglish\/wp\/wp-content\/uploads\/2017\/10\/ENO-Aida-Latonia-Moore-c-Tristram-Kenton-X4.jpg?resize=200%2C200&ssl=1"},"full":{"file":"ENO-Aida-Latonia-Moore-c-Tristram-Kenton-X4.jpg?fit=1531%2C2048&ssl=1","width":1531,"height":2048,"mime_type":"image\/jpeg","source_url":"https:\/\/i0.wp.com\/www.artsjournal.com\/plainenglish\/wp\/wp-content\/uploads\/2017\/10\/ENO-Aida-Latonia-Moore-c-Tristram-Kenton-X4.jpg?fit=1531%2C2048&ssl=1"}},"image_meta":{"aperture":"0","credit":"\u00a9Tristram Kenton","camera":"NIKON D5","caption":"A scene from Aida by Verdi @ London Coliseum. 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