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Barda"},"author":3,"featured_media":0,"comment_status":"open","ping_status":"closed","template":"","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false},"class_list":{"0":"post-1354","1":"attachment","2":"type-attachment","3":"status-inherit","5":"entry","6":"has-post-thumbnail"},"jetpack_shortlink":"https:\/\/wp.me\/abv6zV-lQ","jetpack_sharing_enabled":true,"description":{"rendered":"<p class=\"attachment\"><a href=\"https:\/\/i0.wp.com\/www.artsjournal.com\/plainenglish\/wp\/wp-content\/uploads\/2017\/06\/Garsingto-Opera-2017-Pelle%CC%81as-et-Me%CC%81lisande-William-Davies-YnioldPaul-GayGolaud-credit-Clive-Barda.jpg?ssl=1\"><img loading=\"lazy\" decoding=\"async\" width=\"195\" height=\"300\" 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