{"id":1146,"date":"2016-03-12T16:32:46","date_gmt":"2016-03-12T16:32:46","guid":{"rendered":"http:\/\/www.artsjournal.com\/plainenglish\/wp\/wp-content\/uploads\/2016\/03\/Giorgione-Antonio-Brocardo.png"},"modified":"2016-03-12T16:38:00","modified_gmt":"2016-03-12T16:38:00","slug":"giorgione-antonio-brocardo","status":"inherit","type":"attachment","link":"https:\/\/www.artsjournal.com\/plainenglish\/2016\/03\/towards-the-perfect-identification-of-matter-and-form-but-more-myth-than-man.html\/giorgione-antonio-brocardo","title":{"rendered":"Giorgione Antonio Brocardo"},"author":3,"featured_media":0,"comment_status":"open","ping_status":"closed","template":"","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false},"class_list":{"0":"post-1146","1":"attachment","2":"type-attachment","3":"status-inherit","5":"entry","6":"has-post-thumbnail"},"jetpack_shortlink":"https:\/\/wp.me\/abv6zV-iu","jetpack_sharing_enabled":true,"description":{"rendered":"<p class=\"attachment\"><a href=\"https:\/\/i0.wp.com\/www.artsjournal.com\/plainenglish\/wp\/wp-content\/uploads\/2016\/03\/Giorgione-Antonio-Brocardo.png?ssl=1\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"174\" src=\"https:\/\/i0.wp.com\/www.artsjournal.com\/plainenglish\/wp\/wp-content\/uploads\/2016\/03\/Giorgione-Antonio-Brocardo.png?fit=300%2C174&amp;ssl=1\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/i0.wp.com\/www.artsjournal.com\/plainenglish\/wp\/wp-content\/uploads\/2016\/03\/Giorgione-Antonio-Brocardo.png?w=620&amp;ssl=1 620w, https:\/\/i0.wp.com\/www.artsjournal.com\/plainenglish\/wp\/wp-content\/uploads\/2016\/03\/Giorgione-Antonio-Brocardo.png?resize=300%2C174&amp;ssl=1 300w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n"},"caption":{"rendered":"<p>Definitely a Giorgione, says the current exhibition. &#8220;Antonio Brocardo?&#8221; from  the Sz\u00e9pm\u00fcv\u00e9szti M\u00fazeum, Budapest<\/p>\n"},"alt_text":"","media_type":"image","mime_type":"image\/png","media_details":{"width":620,"height":360,"file":"2016\/03\/Giorgione-Antonio-Brocardo.png","sizes":{"thumbnail":{"file":"Giorgione-Antonio-Brocardo-150x150.png","width":150,"height":150,"mime_type":"image\/png","source_url":"https:\/\/i0.wp.com\/www.artsjournal.com\/plainenglish\/wp\/wp-content\/uploads\/2016\/03\/Giorgione-Antonio-Brocardo.png?resize=150%2C150&ssl=1"},"medium":{"file":"Giorgione-Antonio-Brocardo-300x174.png","width":300,"height":174,"mime_type":"image\/png","source_url":"https:\/\/i0.wp.com\/www.artsjournal.com\/plainenglish\/wp\/wp-content\/uploads\/2016\/03\/Giorgione-Antonio-Brocardo.png?fit=300%2C174&ssl=1"},"home-middle":{"file":"Giorgione-Antonio-Brocardo-360x200.png","width":360,"height":200,"mime_type":"image\/png","source_url":"https:\/\/i0.wp.com\/www.artsjournal.com\/plainenglish\/wp\/wp-content\/uploads\/2016\/03\/Giorgione-Antonio-Brocardo.png?resize=360%2C200&ssl=1"},"sidebar-thumbnail":{"file":"Giorgione-Antonio-Brocardo-100x100.png","width":100,"height":100,"mime_type":"image\/png","source_url":"https:\/\/i0.wp.com\/www.artsjournal.com\/plainenglish\/wp\/wp-content\/uploads\/2016\/03\/Giorgione-Antonio-Brocardo.png?resize=100%2C100&ssl=1"},"midsize-thumb":{"file":"Giorgione-Antonio-Brocardo-200x200.png","width":200,"height":200,"mime_type":"image\/png","source_url":"https:\/\/i0.wp.com\/www.artsjournal.com\/plainenglish\/wp\/wp-content\/uploads\/2016\/03\/Giorgione-Antonio-Brocardo.png?resize=200%2C200&ssl=1"},"full":{"file":"Giorgione-Antonio-Brocardo.png?fit=620%2C360&ssl=1","width":620,"height":360,"mime_type":"image\/png","source_url":"https:\/\/i0.wp.com\/www.artsjournal.com\/plainenglish\/wp\/wp-content\/uploads\/2016\/03\/Giorgione-Antonio-Brocardo.png?fit=620%2C360&ssl=1"}},"image_meta":{"aperture":"0","credit":"","camera":"","caption":"","created_timestamp":"0","copyright":"","focal_length":"0","iso":"0","shutter_speed":"0","title":"","orientation":"0","keywords":[]}},"post":1145,"source_url":"https:\/\/www.artsjournal.com\/plainenglish\/wp\/wp-content\/uploads\/2016\/03\/Giorgione-Antonio-Brocardo.png","_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/plainenglish\/wp-json\/wp\/v2\/media\/1146","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/plainenglish\/wp-json\/wp\/v2\/media"}],"about":[{"href":"https:\/\/www.artsjournal.com\/plainenglish\/wp-json\/wp\/v2\/types\/attachment"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/plainenglish\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/plainenglish\/wp-json\/wp\/v2\/comments?post=1146"}],"wp:attached-to":[{"embeddable":true,"post_type":"post","id":1145,"href":"https:\/\/www.artsjournal.com\/plainenglish\/wp-json\/wp\/v2\/posts\/1145"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}