{"id":438,"date":"2011-04-26T05:13:19","date_gmt":"2011-04-26T05:13:19","guid":{"rendered":"http:\/\/www.artsjournal.com\/pianomorphosis\/wp\/2011\/04\/term_limits\/"},"modified":"2012-01-18T14:32:24","modified_gmt":"2012-01-18T19:32:24","slug":"term_limits","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/pianomorphosis\/2011\/04\/term_limits.html","title":{"rendered":"Term Limits"},"content":{"rendered":"<p>Five recent Tweets of mine &#8212; please pardon the cross-platform redundancy.\n<\/p>\n<p>\nApril 21, 2011<br \/>\nIn a way our technology is putting sound and music back together &#8212; as perhaps the technology of writing took music and sound apart.\n<\/p>\n<p>\nApril 20, 2011<br \/>\nYes, some of Rachmaninoff&#8217;s music is very much part of the &#8220;Back to Bach&#8221; movement.\n<\/p>\n<p>\nApril 20, 2011<br \/>\nIt&#8217;s not surprising composers borrow or steal so much &#8212; if you consider that we are all just adding to a big collective artwork.\n<\/p>\n<p>\nMarch 28, 2011<br \/>\nIs it because we&#8217;re NOT fully present in each moment that we need art? Then art is a coping mechanism, a sign of failing to really be alive.\n<\/p>\n<p>\nMarch 21, 2011<br \/>\nIf amateurs suffer from their doubt &#8212; then experts suffer from certainty.\n<\/p>\n<p>\n<a href=\"http:\/\/twitter.com\/pianomorphosis\">www.twitter.com\/pianomorphosis<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Five recent Tweets of mine &#8212; please pardon the cross-platform redundancy. April 21, 2011 In a way our technology is putting sound and music back together &#8212; as perhaps the technology of writing took music and sound apart. April 20, 2011 Yes, some of Rachmaninoff&#8217;s music is very much part of the &#8220;Back to Bach&#8221; [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[823,822,824,821],"class_list":{"0":"post-438","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"tag-823","8":"tag-140-characters","9":"tag-characters","10":"tag-twitter","11":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/pianomorphosis\/wp-json\/wp\/v2\/posts\/438","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/pianomorphosis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/pianomorphosis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/pianomorphosis\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/pianomorphosis\/wp-json\/wp\/v2\/comments?post=438"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/pianomorphosis\/wp-json\/wp\/v2\/posts\/438\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/pianomorphosis\/wp-json\/wp\/v2\/media?parent=438"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/pianomorphosis\/wp-json\/wp\/v2\/categories?post=438"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/pianomorphosis\/wp-json\/wp\/v2\/tags?post=438"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}