{"id":427,"date":"2010-12-19T19:31:28","date_gmt":"2010-12-19T19:31:28","guid":{"rendered":"http:\/\/www.artsjournal.com\/pianomorphosis\/wp\/2010\/12\/the_second_year_of_pianomorphosi_1\/"},"modified":"2011-09-04T22:48:23","modified_gmt":"2011-09-05T02:48:23","slug":"the_second_year_of_pianomorphosi_1","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/pianomorphosis\/2010\/12\/the_second_year_of_pianomorphosi_1.html","title":{"rendered":"The Second Year of Pianomorphosis Posts"},"content":{"rendered":"

December 17, 2009: Rattle<\/span><\/a><\/p>\n

December 21, 2009: Early adopters<\/span><\/a><\/p>\n

December 28, 2009: Change of venue<\/span><\/a><\/p>\n

December 30, 2009: Screening<\/span><\/a><\/p>\n

January 5, 2010: Drunk<\/span><\/a><\/p>\n

January 11, 2010: Tract<\/span><\/a><\/p>\n

January 25, 2010: Costly Imitation<\/span><\/a><\/p>\n

February 1, 2010: Kindest Cuts<\/span><\/a><\/p>\n

February 8, 2010: Rise<\/span><\/a><\/p>\n

February 16, 2010: Forest<\/span><\/a><\/p>\n

February 22, 2010: First Note<\/span><\/a><\/p>\n

March 1, 2010: Scripture reading<\/span><\/a><\/p>\n

March 8, 2010: Overwhelmed<\/span><\/a><\/p>\n

March 16, 2010: Repertoire Inflation<\/span><\/a><\/p>\n

March 23, 2010: Widescreen<\/span><\/a><\/p>\n

March 29, 2010: “Poet, be seated at the piano”<\/span><\/a><\/p>\n

April 5, 2010: Product and Act<\/span><\/a><\/p>\n

April 19, 2010: Money changes everything<\/span><\/a><\/p>\n

April 26, 2010: The Discreet Charm of the Musical Middle Class<\/span><\/a><\/p>\n

May 10, 2010: Virtual Instrument<\/span><\/a><\/p>\n

May 17, 2010: Clubbing<\/span><\/a><\/p>\n

May 24, 2010: Next<\/span><\/a><\/p>\n

June 1, 2010: Quick and Dead<\/span><\/a><\/p>\n

June 14, 2010: Loopy<\/span><\/a><\/p>\n

June 21, 2010: Declassified<\/span><\/a><\/p>\n

June 28, 2010: Casualties<\/span><\/a><\/p>\n

July 6, 2010: Faulty<\/span><\/a><\/p>\n

July 19, 2010: No pedal<\/span><\/a><\/p>\n

July 26, 2010: Two Rooms, NYC<\/span><\/a><\/p>\n

August 2, 2010: What Would Yehudi Do?<\/span><\/a><\/p>\n

August 16, 2010: Off the grid<\/span><\/a><\/p>\n

August 23, 2010: Luigi Beethoven — postmodernist<\/span><\/a><\/p>\n

September 7, 2010: “large capable hands”<\/span><\/a><\/p>\n

September 13, 2010: Job<\/span><\/a><\/p>\n

September 21, 2010: Scoreless<\/span><\/a><\/p>\n

September 28, 2010: Police witness<\/span><\/a><\/p>\n

October 13, 2010: Connoisseurship<\/span><\/a><\/p>\n

October 18, 2010: Marshall Plan<\/span><\/a><\/p>\n

November 3, 2010: In\u00e9gales<\/span><\/a><\/p>\n

November 15, 2010: Day trading<\/span><\/a><\/p>\n

November 22, 2010: Intertext<\/span><\/a><\/p>\n

November 29, 2010: In the 1980s<\/span><\/a><\/p>\n

December 6, 2010: “Of which vertu…”<\/span><\/a><\/p>\n

December 12, 2010: Jacob Lateiner (1928-2010)<\/span><\/a><\/p>\n

\n

\n","protected":false},"excerpt":{"rendered":"

December 17, 2009: Rattle December 21, 2009: Early adopters December 28, 2009: Change of venue December 30, 2009: Screening January 5, 2010: Drunk January 11, 2010: Tract January 25, 2010: Costly Imitation February 1, 2010: Kindest Cuts February 8, 2010: Rise February 16, 2010: Forest February 22, 2010: First Note March 1, 2010: Scripture reading […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[19],"class_list":{"0":"post-427","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"tag-pianomorphosis","8":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/pianomorphosis\/wp-json\/wp\/v2\/posts\/427","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/pianomorphosis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/pianomorphosis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/pianomorphosis\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/pianomorphosis\/wp-json\/wp\/v2\/comments?post=427"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/pianomorphosis\/wp-json\/wp\/v2\/posts\/427\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/pianomorphosis\/wp-json\/wp\/v2\/media?parent=427"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/pianomorphosis\/wp-json\/wp\/v2\/categories?post=427"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/pianomorphosis\/wp-json\/wp\/v2\/tags?post=427"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}