{"id":411,"date":"2010-07-26T06:09:15","date_gmt":"2010-07-26T06:09:15","guid":{"rendered":"http:\/\/www.artsjournal.com\/pianomorphosis\/wp\/2010\/07\/two_rooms_nyc\/"},"modified":"2011-09-06T17:56:56","modified_gmt":"2011-09-06T21:56:56","slug":"two_rooms_nyc","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/pianomorphosis\/2010\/07\/two_rooms_nyc.html","title":{"rendered":"Two Rooms, NYC"},"content":{"rendered":"<p>&nbsp;<\/p>\n<p>To have lived in grander rooms,<br \/>\nI sometimes think,<br \/>\nwould have been &#8212;<br \/>\nwell, grander.<\/p>\n<p>Until I walk into my other room,<br \/>\nquickly come to the piano<br \/>\nand see<br \/>\nthe window I looked out of,<br \/>\nas I learned Brahms&#8217;s Concertos.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; To have lived in grander rooms, I sometimes think, would have been &#8212; well, grander. Until I walk into my other room, quickly come to the piano and see the window I looked out of, as I learned Brahms&#8217;s Concertos. &nbsp;<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[57,145],"class_list":{"0":"post-411","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"tag-brahms","8":"tag-concerto","9":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/pianomorphosis\/wp-json\/wp\/v2\/posts\/411","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/pianomorphosis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/pianomorphosis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/pianomorphosis\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/pianomorphosis\/wp-json\/wp\/v2\/comments?post=411"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/pianomorphosis\/wp-json\/wp\/v2\/posts\/411\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/pianomorphosis\/wp-json\/wp\/v2\/media?parent=411"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/pianomorphosis\/wp-json\/wp\/v2\/categories?post=411"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/pianomorphosis\/wp-json\/wp\/v2\/tags?post=411"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}