{"id":383,"date":"2009-12-14T05:38:19","date_gmt":"2009-12-14T05:38:19","guid":{"rendered":"http:\/\/www.artsjournal.com\/pianomorphosis\/wp\/2009\/12\/year_of_pianomorphosis\/"},"modified":"2009-12-14T05:38:19","modified_gmt":"2009-12-14T05:38:19","slug":"year_of_pianomorphosis","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/pianomorphosis\/2009\/12\/year_of_pianomorphosis.html","title":{"rendered":"A Year of Pianomorphosis Posts"},"content":{"rendered":"

December 2, 2008: Tending Garden<\/font><\/a><\/p>\n

December 3, 2008: Master<\/font><\/a><\/p>\n

December 8, 2008: Chill<\/font><\/a><\/p>\n

December 15, 2008: Tale of Two Cities<\/font><\/a><\/p>\n

December 29, 2008: Pianoscape<\/font><\/a><\/p>\n

February 7, 2009: Masterclass<\/font><\/a><\/p>\n

February 16, 2009: Can we play too well?<\/font><\/a><\/p>\n

February 16, 2009: Flatline<\/font><\/a><\/p>\n

February 23, 2009: Bruce Brubaker’s Guide to Alliterative Artists<\/font><\/a><\/p>\n

February 26, 2009: Across a crowded room<\/font><\/a><\/p>\n

March 3, 2009: Play Better<\/font><\/a><\/p>\n

March 9, 2009: Global Warming<\/font><\/a><\/p>\n

March 11, 2009: We’re all composers now<\/font><\/a><\/p>\n

March 16, 2009: I don’t do Rachmaninoff<\/font><\/a><\/p>\n

March 17, 2009: Dress like a banker — Dress like a rockstar<\/font><\/a><\/p>\n

March 19, 2009: Lights up<\/font><\/a><\/p>\n

March 23, 2009: Concert Accident<\/font><\/a><\/p>\n

March 25, 2009: Simple is difficult<\/font><\/a><\/p>\n

March 30, 2009: Great teachers produce…<\/font><\/a><\/p>\n

April 1, 2009: Piano Country<\/font><\/a><\/p>\n

April 6, 2009: Tail wind<\/font><\/a><\/p>\n

April 7, 2009: Humble pie<\/font><\/a><\/p>\n

April 13, 2009: Soundtrack<\/font><\/a><\/p>\n

April 16, 2009: Congratulations Marty!<\/font><\/a><\/p>\n

April 20, 2009: Life and Death<\/font><\/a><\/p>\n

April 21, 2009: I don’t see red<\/font><\/a><\/p>\n

April 27, 2009: Withdrawn<\/font><\/a><\/p>\n

April 28, 2009: One note at a time<\/font><\/a><\/p>\n

May 4, 2009: Where can artists learn?<\/font><\/a><\/p>\n

May 11, 2009: Roll<\/font><\/a> <\/p>\n

May 18, 2009: All feet<\/font><\/a> <\/p>\n

May 21, 2009: Interior Decorator<\/font><\/a> <\/p>\n

June 1, 2009: Chiff<\/font><\/a> <\/p>\n

June 3, 2009: One day<\/font><\/a><\/p>\n

June 8, 2009: Help Wanted<\/font><\/a> <\/p>\n

June 10, 2009: Molecular Piano<\/font><\/a> <\/p>\n

June 16, 2009: Resolve<\/font><\/a> <\/p>\n

June 22, 2009: First Glass<\/font><\/a> <\/font><\/p>\n

June 29, 2009: Matter of opinion<\/font><\/a> <\/p>\n

July 6, 2009: Brand<\/font><\/a> <\/p>\n

July 13, 2009: Piano Darwinism<\/font><\/a> <\/p>\n

July 20, 2009: Triangle<\/font><\/a> <\/p>\n

July 27, 2009: Lineage<\/font><\/a> <\/p>\n

August 3, 2009: In one<\/font><\/a> <\/p>\n

August 11, 2009: Art is long<\/font><\/a> <\/p>\n

August 31, 2009: One Hand<\/font><\/a> <\/p>\n

September 8, 2009: How many?<\/font><\/a><\/p>\n

September 14, 2009: Beat It<\/font><\/a> <\/p>\n

September 21, 2009: Precedent<\/font><\/a> <\/p>\n

October 5, 2009: Ascent<\/font><\/a><\/p>\n

October 19, 2009: Quality Control<\/font><\/a> <\/font><\/p>\n

October 26, 2009: Recenter<\/font><\/a> <\/p>\n

November 2, 2009: Iowa was the name of the Star<\/font><\/a> <\/p>\n

November 5, 2009: Mr. Brendel, thank you<\/font><\/a>  <\/p>\n

November 9, 2009: Case Law<\/font><\/a>  <\/p>\n

November 16, 2009: Just before 8<\/font><\/a> <\/p>\n

November 23, 2009: Extempore<\/font><\/a><\/p>\n

November 30, 2009: Tumbling down<\/font><\/a><\/font><\/a><\/p>\n

December 7, 2009: Bachtrauma<\/font><\/a>  <\/p>\n","protected":false},"excerpt":{"rendered":"

December 2, 2008: Tending Garden December 3, 2008: Master December 8, 2008: Chill December 15, 2008: Tale of Two Cities December 29, 2008: Pianoscape February 7, 2009: Masterclass February 16, 2009: Can we play too well? February 16, 2009: Flatline February 23, 2009: Bruce Brubaker’s Guide to Alliterative Artists February 26, 2009: Across a crowded […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-383","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/pianomorphosis\/wp-json\/wp\/v2\/posts\/383","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/pianomorphosis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/pianomorphosis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/pianomorphosis\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/pianomorphosis\/wp-json\/wp\/v2\/comments?post=383"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/pianomorphosis\/wp-json\/wp\/v2\/posts\/383\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/pianomorphosis\/wp-json\/wp\/v2\/media?parent=383"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/pianomorphosis\/wp-json\/wp\/v2\/categories?post=383"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/pianomorphosis\/wp-json\/wp\/v2\/tags?post=383"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}