{"id":380,"date":"2009-11-23T05:37:03","date_gmt":"2009-11-23T05:37:03","guid":{"rendered":"http:\/\/www.artsjournal.com\/pianomorphosis\/wp\/2009\/11\/extempore\/"},"modified":"2011-09-07T12:57:28","modified_gmt":"2011-09-07T16:57:28","slug":"extempore","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/pianomorphosis\/2009\/11\/extempore.html","title":{"rendered":"Extempore"},"content":{"rendered":"<p>In the Classical music world, it is as if most musicians have forgotten how to talk &#8212; or never learned. They can&#8217;t communicate with easy ordinary extemporaneous speech. Can&#8217;t express themselves in daily conversation.\n<\/p>\n<p>\nInstead, only scripts &#8212; the detailed record, the detailed notation, the traces of music. We are always reading, never speaking for ourselves. Never communicating just what&#8217;s on our minds or in our hearts. We are mute, unless the right words just happen to come along, happen to be scripted. Unless an author(-ity) has said something we can be willing to mean.\n<\/p>\n<p>\nImagine a world where actors who worked from written scripts, couldn&#8217;t break out of character, couldn&#8217;t take a moment &#8212; to go across the street and order coffee! What if they couldn&#8217;t form the simple sentence? What if they could not make themselves plainly understood with simple, forgettable phrases spontaneously made?<\/p>\n","protected":false},"excerpt":{"rendered":"<p>In the Classical music world, it is as if most musicians have forgotten how to talk &#8212; or never learned. They can&#8217;t communicate with easy ordinary extemporaneous speech. Can&#8217;t express themselves in daily conversation. Instead, only scripts &#8212; the detailed record, the detailed notation, the traces of music. We are always reading, never speaking for [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[318,196,314,180,317,102,316,319,315],"class_list":{"0":"post-380","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"tag-acting","8":"tag-improvisation","9":"tag-improvise","10":"tag-musical-performance","11":"tag-notated-music","12":"tag-notation","13":"tag-script","14":"tag-spontaneity","15":"tag-vernacular-music","16":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/pianomorphosis\/wp-json\/wp\/v2\/posts\/380","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/pianomorphosis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/pianomorphosis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/pianomorphosis\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/pianomorphosis\/wp-json\/wp\/v2\/comments?post=380"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/pianomorphosis\/wp-json\/wp\/v2\/posts\/380\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/pianomorphosis\/wp-json\/wp\/v2\/media?parent=380"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/pianomorphosis\/wp-json\/wp\/v2\/categories?post=380"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/pianomorphosis\/wp-json\/wp\/v2\/tags?post=380"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}