{"id":2404,"date":"2012-08-13T00:23:56","date_gmt":"2012-08-13T04:23:56","guid":{"rendered":"http:\/\/www.artsjournal.com\/pianomorphosis\/?p=2404"},"modified":"2012-08-12T21:27:08","modified_gmt":"2012-08-13T01:27:08","slug":"whats-in-a-name","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/pianomorphosis\/2012\/08\/whats-in-a-name.html","title":{"rendered":"What&#8217;s in a name?"},"content":{"rendered":"<p><a href=\"https:\/\/www.artsjournal.com\/pianomorphosis\/wp\/wp-content\/uploads\/2012\/08\/Bach1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-2409\" style=\"margin: 6px 0px 24px 33px;\" title=\"Bach1\" src=\"https:\/\/www.artsjournal.com\/pianomorphosis\/wp\/wp-content\/uploads\/2012\/08\/Bach1.jpg\" alt=\"\" width=\"280\" height=\"280\" srcset=\"https:\/\/www.artsjournal.com\/pianomorphosis\/wp\/wp-content\/uploads\/2012\/08\/Bach1.jpg 280w, https:\/\/www.artsjournal.com\/pianomorphosis\/wp\/wp-content\/uploads\/2012\/08\/Bach1-150x150.jpg 150w, https:\/\/www.artsjournal.com\/pianomorphosis\/wp\/wp-content\/uploads\/2012\/08\/Bach1-70x70.jpg 70w, https:\/\/www.artsjournal.com\/pianomorphosis\/wp\/wp-content\/uploads\/2012\/08\/Bach1-110x110.jpg 110w\" sizes=\"auto, (max-width: 280px) 100vw, 280px\" \/><\/a>&#8220;<a href=\"http:\/\/en.wikipedia.org\/wiki\/Richard_Goode\" target=\"_blank\">Richard<\/a> told me.&#8221; Or, &#8220;Martha thinks so.&#8221;<\/p>\n<p>The inspeak of the classical music anointed? A mark of self-importance, of access, or just an acknowledgement of exactly how the celebrated wish to be addressed?<\/p>\n<p>Unusual names can serve more easily. &#8220;Just ask <a href=\"http:\/\/en.wikipedia.org\/wiki\/La_Monte_Young\" target=\"_blank\">La Monte<\/a>.&#8221; And beyond, &#8220;<a href=\"http:\/\/www.schirmer.com\/default.aspx?TabId=2419&amp;State_2872=2&amp;ComposerId_2872=52\" target=\"_blank\">Milton<\/a> thought so,&#8221; there are histories and associations. Alexis Weissenberg would be &#8220;Siggy\u201d Weissenberg. For some, <a href=\"http:\/\/www.yca.org\/staff\/#SW\" target=\"_blank\">Susan Wadsworth<\/a> remained &#8220;Susan Popkin.&#8221;<\/p>\n<p>And doesn&#8217;t the <em>New York Times<\/em> style sheet adopt some version of this nomenocracy when a dead musician can be Stravinsky, but a living one is Mr. Glass?<\/p>\n<p>MTT is Michael TT of course. For the foreseeable future, Lenny is Lenny.<\/p>\n<p>And as there are temporalisms &#8212; &#8220;<a href=\"http:\/\/en.wikipedia.org\/wiki\/Anton_Rubinstein\" target=\"_blank\">Rubinstein<\/a>&#8221; &#8212; there are regionalisms. Moving from individuals to orchestras (orchestras are people too?), in most of the Northeast we know that the <a href=\"http:\/\/www.bso.org\/\" target=\"_blank\">BSO<\/a> is in Boston, but in Baltimore that acro has alternate signification.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;Richard told me.&#8221; Or, &#8220;Martha thinks so.&#8221; The inspeak of the classical music anointed? A mark of self-importance, of access, or just an acknowledgement of exactly how the celebrated wish to be addressed? Unusual names can serve more easily. &#8220;Just ask La Monte.&#8221; And beyond, &#8220;Milton thought so,&#8221; there are histories and associations. Alexis Weissenberg [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2409,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[981,980,751,140,859,789,987,6,631,978,752,984,986,977,402,630,141,983,988,985,982,979],"class_list":{"0":"post-2404","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-uncategorized","8":"tag-alexis","9":"tag-anton","10":"tag-argerich","11":"tag-arthur","12":"tag-artur","13":"tag-boston","14":"tag-bso","15":"tag-glass","16":"tag-goode","17":"tag-la-monte","18":"tag-martha","19":"tag-michael","20":"tag-mtt","21":"tag-nomenocracy","22":"tag-philip","23":"tag-richard","24":"tag-rubinstein","25":"tag-siggy","26":"tag-symphony","27":"tag-tilson-thomas","28":"tag-weissenberg","29":"tag-young","30":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/pianomorphosis\/wp-json\/wp\/v2\/posts\/2404","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/pianomorphosis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/pianomorphosis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/pianomorphosis\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/pianomorphosis\/wp-json\/wp\/v2\/comments?post=2404"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/pianomorphosis\/wp-json\/wp\/v2\/posts\/2404\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/pianomorphosis\/wp-json\/wp\/v2\/media\/2409"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/pianomorphosis\/wp-json\/wp\/v2\/media?parent=2404"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/pianomorphosis\/wp-json\/wp\/v2\/categories?post=2404"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/pianomorphosis\/wp-json\/wp\/v2\/tags?post=2404"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}