{"id":1419,"date":"2011-12-27T08:34:08","date_gmt":"2011-12-27T13:34:08","guid":{"rendered":"http:\/\/www.artsjournal.com\/pianomorphosis\/?p=1419"},"modified":"2020-07-17T00:15:31","modified_gmt":"2020-07-17T04:15:31","slug":"catalyzing-adulteration","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/pianomorphosis\/2011\/12\/catalyzing-adulteration.html","title":{"rendered":"Catalyzing Adulteration"},"content":{"rendered":"<p><iframe loading=\"lazy\" title=\"He Weeps For You\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/S8EkqHa7R8c?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>I&#8217;m sipping a single-barrel bourbon. Rather strong. I add some drops of water, and then a few more. And the extraordinary, intense dark taste comes into sharp focus.<\/p>\n<p>It&#8217;s like adding adrenaline to my\u00a0playing of\u00a0Brahms&#8217;s music in Jordan Hall. Or adding salt to soup (more if it&#8217;s cold).<\/p>\n<p>Or adding momentary touches of pedal to an already carefully played legato phrase of piano music.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I&#8217;m sipping a single-barrel bourbon. Rather strong. I add some drops of water, and then a few more. And the extraordinary, intense dark taste comes into sharp focus. It&#8217;s like adding adrenaline to my\u00a0playing of\u00a0Brahms&#8217;s music in Jordan Hall. Or adding salt to soup (more if it&#8217;s cold). Or adding momentary touches of pedal to [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1462,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[758,760,57,433,296,759],"class_list":{"0":"post-1419","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-uncategorized","8":"tag-adrenalin","9":"tag-bourbon","10":"tag-brahms","11":"tag-catalyst","12":"tag-jordan-hall","13":"tag-single-barrel","14":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/pianomorphosis\/wp-json\/wp\/v2\/posts\/1419","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/pianomorphosis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/pianomorphosis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/pianomorphosis\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/pianomorphosis\/wp-json\/wp\/v2\/comments?post=1419"}],"version-history":[{"count":5,"href":"https:\/\/www.artsjournal.com\/pianomorphosis\/wp-json\/wp\/v2\/posts\/1419\/revisions"}],"predecessor-version":[{"id":5276,"href":"https:\/\/www.artsjournal.com\/pianomorphosis\/wp-json\/wp\/v2\/posts\/1419\/revisions\/5276"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/pianomorphosis\/wp-json\/wp\/v2\/media\/1462"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/pianomorphosis\/wp-json\/wp\/v2\/media?parent=1419"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/pianomorphosis\/wp-json\/wp\/v2\/categories?post=1419"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/pianomorphosis\/wp-json\/wp\/v2\/tags?post=1419"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}