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PianoMorphosis

Bruce Brubaker on all things piano

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Archives for 2008

Pianoscape

December 29, 2008 by Bruce Brubaker

Plants form a plantscape -- more or less continuous -- across a continent: the carefully tended jardin and the yard of "weeds" surrounding an abandoned house. Fallen dead trees in a forest, or overgrown city lots might seem like problems in need of solving... Elite classical musicians have often held themselves apart from other musicians, or even other classical players: "I'm better that that." "His playing was so stupid," or "uninvolved," or … [Read more...]

Tale of Two Cities

December 15, 2008 by Bruce Brubaker

Taipei Yesterday, I was eating the best beef noodles in Taipei with Lun-Yun and his family -- genuinely extraordinary food, in the beef, the taste of the wood used to cook it, the unctuous broth with chopped green pickle mixed in. Before, we had small pieces of pork spareribs cooked in a steamer with rice groats and a hint of spicy pepper -- a Taiwanese reading of what I thought was a Shanghai dish, that I used to eat with Jacob Lateiner at the … [Read more...]

Chill

December 8, 2008 by Bruce Brubaker

Today's the first really cold day that I have been in Boston this fall. At New England Conservatory this afternoon we had the preliminary round in a competition to pick a student pianist for a performance of Rachmaninoff's Rhapsody on a Theme of Paganini. (The performance will be in April with Hugh Wolff.) These competitions are a continuing part of conservatory life. A few schools with many excellent pianists do this--specify a particular … [Read more...]

Master

December 3, 2008 by Bruce Brubaker

From Florida, Bob Katz has sent a test CD of the mastered version of part of my new recording. This morning I'm listening. He's sent along a list of many clicks and noises he removed. There's question about the basic sound. He's chosen a dither he likes and done a bit of EQ and stereo image shifting. The underlying recording was too diffuse, he thought. He wants a bit more "edge" and a clearer sense of where the piano is on the stage. It's … [Read more...]

Tending Garden

December 2, 2008 by Bruce Brubaker

This morning I was mowing down some of our meadow. All around our little house in the woods there's a swath of grasses and flowers that gets mowed once a year, in late fall. And after the tall stuff is gone, bright green mosses are revealed in many patches. After three hours outdoors, I practiced Chopin's Polonaise-fantaisie and some Haydn (for Taiwan in two weeks, where it will go with Bussotti and Curran). There wasn't really enough time at the … [Read more...]

BB on the web

December 2, 2008 by Bruce Brubaker

"Glassforms" with Max Cooper at Sónar "Glass Etude" on YouTube demi-cadratin review of Brubaker solo concert at La Roque d'Anthéron "Classical music dead? Nico Muhly proves it isn't" -- The Telegraph's Lucy Jones on my Drones & Piano EP Bachtrack review of Brubaker all-Glass concert "Brubaker recital proves eclectic, hypnotic, and timeless" -- Harlow Robinson's Boston Globe review of my Jordan Hall recital "Simulcast" with Francesco … [Read more...]

Blogroll

December 1, 2008 by Bruce Brubaker

UbuWeb Hipster Runoff the other piano blog: Stephen Hough at Telegraph.co.uk … [Read more...]

PianoMorphosis

January 27, 2008 by Bruce Brubaker

Music is changing. Society's changing. Pianists, and piano music, and piano playing are changing too. That is Pianomorphosis. But we're not only reacting... … [Read more...]

Bruce Brubaker

January 27, 2008 by Bruce Brubaker

Recordings such the new American piano music albums I make for ECM, InFiné, and Arabesque reach many listeners, and seem to break through some old divisions of high culture/pop, or art/entertainment. My fans are listening to Cardi B, Childish Gambino, Ariana Grande — even the occasional Mozart track! Spotify, Apple Music, and YouTube are allowing music lovers to discover music they could not have encountered so easily in the past. Live … [Read more...]

Contact me

January 27, 2008 by Bruce Brubaker

Click here to send me an email... … [Read more...]

Bruce Brubaker

Recordings like the new American piano music albums I make for ECM, InFiné, Bedroom Community, and Arabesque reach millions of listeners, and break through some old divisions of high culture/pop, or art/entertainment. My fans are listening to Billie Eilish, The Weeknd — even the occasional Mozart track! Spotify, Apple Music, YouTube are allowing music lovers to discover music they could not have found so easily before. Live performances begin to reflect what’s happening online. My performances occur in classical venues like the Philharmonie in Paris, the Barbican in London, at La Roque d’Anthéron, at festivals such as Barcelona’s Sónar and Nuits Sonores in Brussels, and such nightclubs as New York’s (le) Poisson Rouge. Read More…

View My Blog Posts

PianoMorphosis

Music is changing. Society's changing. Pianists, and piano music, and piano playing are changing too. That's PianoMorphosis. But we're not only reacting... From the piano -- at the piano, around the piano -- we are agents of change. We affect … [Read More...]

Archives

More Me

BB on the web

“Glassforms” with Max Cooper at Sónar

“Glass Etude” on YouTube

demi-cadratin review of Brubaker solo concert at La Roque d’Anthéron

“Classical music dead? Nico Muhly proves it isn’t” — The Telegraph‘s Lucy Jones on my Drones & Piano EP

Bachtrack review of Brubaker all-Glass concert

“Brubaker recital proves eclectic, hypnotic, and timeless” — Harlow Robinson’s Boston Globe review of my Jordan Hall recital

“Simulcast” with Francesco Tristano on Arte

Bruce Brubaker hosts 4 weeks of “Hammered!” on WQXR — “Something Borrowed,” “Drone,” “Portal,” “The Raw and the Cooked”

“Onstage, a grand piano and an iPod” — David Weininger’s story with video by Dina Rudick

“Bruce Brubaker on Breaking Down Boundaries” — extensive audio interview at PittsburghNewMusicNet.com

“Heavy on the Ivories” — Andrea Shea’s story for WBUR about Bruce Brubaker’s performances and recording of “The Time Curve Preludes” by William Duckworth

“Feeding Those Young and Curious Listeners” — Anthony Tommasini in The New York Times on the first anniversary of the Poisson Rouge

“The Jewel in the Fish” — Harry Rolnick on Bruce Brubaker at the Poisson Rouge

“The Post-Postmodern Pianist” — Damian Da Costa profiles Bruce Brubaker in The New York Observer

Bruce Brubaker questioned at NewYorkPianist.net

“Finding the keys to the heart of Jordan Hall” — Joan Anderman in the Boston Globe on the search for a new concert grand piano

“Hearing and Seeing” — Philip Glass speaks with Bruce Brubaker and Jon Magnussen, Princeton, Institute for Advanced Study

Bruce Brubaker about Messiaen’s bird music, NPR, “Here and Now”

“I Hear America: Gunther Schuller at 80” — notes and programs for concert series, New England Conservatory, Harvard University, Boston Symphony Orchestra

“A Conversation That Never Occurred About the Irene Diamond Concert,” Juilliard Journal

Bruce Brubaker plays music by Alvin Curran at (le) Poisson Rouge

Bruce Brubaker

Recordings such the new American piano music albums I make for ECM, InFiné, and Arabesque reach many listeners, and seem to break through some old divisions of high culture/pop, or art/entertainment. My fans are listening to Cardi B, Childish Gambino, Ariana Grande — even the occasional Mozart track! Spotify, Apple Music, and YouTube are allowing music lovers to discover music they could not have encountered so easily in the past. Live performances begin to reflect what’s happening online: this year I play at the International Piano Festival at La Roque d’Anthéron, traditional concert venues in Los Angeles, and Boston — as well as nightclubs in Berlin, Hamburg, Paris, Lyon, Geneva, and New York’s (le) Poisson Rouge.

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