{"id":675,"date":"2008-01-28T07:49:43","date_gmt":"2008-01-28T07:49:43","guid":{"rendered":"http:\/\/www.artsjournal.com\/performancemonkey\/wp\/2008\/01\/testing_picks.html"},"modified":"2008-01-28T07:49:43","modified_gmt":"2008-01-28T07:49:43","slug":"testing_picks","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/performancemonkey\/2008\/01\/testing_picks.html","title":{"rendered":""},"content":{"rendered":"<p><a\n<a href=\"http:\/\/www.guardian.co.uk\/stage\/theatreblog\/2009\/oct\/28\/theatre-download-online\">Hamlet on your hard drive?<\/a><br \/>\n<a href=\"http:\/\/entertainment.timesonline.co.uk\/tol\/arts_and_entertainment\/stage\/dance\/article6810790.ece\">New stars of the Royal Ballet<\/a><br \/>\n<a href=\"http:\/\/entertainment.timesonline.co.uk\/tol\/arts_and_entertainment\/stage\/dance\/article6626561.ece\">Pina Bausch tribute<a><br \/>\n<a href=\"http:\/\/www.obit-mag.com\/viewmedia.php\/prmMID\/6093\">Death masks<\/a><br \/>\n<a href=\"http:\/\/www.guardian.co.uk\/stage\/theatreblog\/2009\/jun\/03\/tom-stoppard-arcadia\">What makes a modern play &#8216;great&#8217;?<\/a><br \/>\n<a\n\n<!--more--><\/p>\n<p>&nbsp;<a href=\"http:\/\/entertainment.timesonline.co.uk\/tol\/arts_and_entertainment\/stage\/dance\/article4304577.ece\">Cultural diplomacy<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[28],"tags":[],"class_list":{"0":"post-675","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-elsewhere","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/performancemonkey\/wp-json\/wp\/v2\/posts\/675","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/performancemonkey\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/performancemonkey\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/performancemonkey\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/performancemonkey\/wp-json\/wp\/v2\/comments?post=675"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/performancemonkey\/wp-json\/wp\/v2\/posts\/675\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/performancemonkey\/wp-json\/wp\/v2\/media?parent=675"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/performancemonkey\/wp-json\/wp\/v2\/categories?post=675"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/performancemonkey\/wp-json\/wp\/v2\/tags?post=675"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}