{"id":674,"date":"2008-01-27T19:24:07","date_gmt":"2008-01-27T19:24:07","guid":{"rendered":"http:\/\/www.artsjournal.com\/performancemonkey\/wp\/2008\/01\/blogroll.html"},"modified":"2014-02-07T19:18:40","modified_gmt":"2014-02-07T19:18:40","slug":"blogroll","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/performancemonkey\/2008\/01\/blogroll.html","title":{"rendered":"Blogs we like"},"content":{"rendered":"<p><a href=\"http:\/\/theatrenotes.blogspot.com\/\">Alison Croggan<br \/>\n<\/a><a href=\"http:\/\/postcardsgods.blogspot.com\/\">Andrew Haydon<br \/>\n<\/a><a href=\"http:\/\/beescope.blogspot.com\/\">Chris Goode<br \/>\n<\/a><a href=\"http:\/\/www.thecriticalcondition.com\/\">Critical Condition<br \/>\n<\/a><a href=\"http:\/\/www.guardian.co.uk\/stage\/theatreblog\">The Guardian theatre blog<br \/>\n<\/a><a href=\"http:\/\/www.carouseloffantasies.blogspot.com\/\">Matt Trueman<br \/>\n<\/a><a href=\"http:\/\/neandellus.wordpress.com\/\">Neandellus<br \/>\n<\/a><a href=\"http:\/\/www.therestisnoise.com\/\">The Rest is Noise<\/a><\/p>\n<p>[ssba_hide]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Alison Croggan Andrew Haydon Chris Goode Critical Condition The Guardian theatre blog Matt Trueman Neandellus The Rest is Noise [ssba_hide]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[27],"tags":[],"class_list":{"0":"post-674","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-blogroll-2","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/performancemonkey\/wp-json\/wp\/v2\/posts\/674","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/performancemonkey\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/performancemonkey\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/performancemonkey\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/performancemonkey\/wp-json\/wp\/v2\/comments?post=674"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/performancemonkey\/wp-json\/wp\/v2\/posts\/674\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/performancemonkey\/wp-json\/wp\/v2\/media?parent=674"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/performancemonkey\/wp-json\/wp\/v2\/categories?post=674"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/performancemonkey\/wp-json\/wp\/v2\/tags?post=674"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}