{"id":56,"date":"2009-03-26T10:45:58","date_gmt":"2009-03-26T10:45:58","guid":{"rendered":"http:\/\/www.artsjournal.com\/outthere\/wp\/?p=56"},"modified":"2009-03-26T10:45:58","modified_gmt":"2009-03-26T10:45:58","slug":"does_the_q_in_quiznos_stand_fo","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/outthere\/2009\/03\/does_the_q_in_quiznos_stand_fo.html","title":{"rendered":"Yes, the &#8216;Q&#8217; in Quiznos Stands for &#8216;Queer&#8217;"},"content":{"rendered":"<p><embed src=\"http:\/\/www.youtube.com\/v\/7LQpRQh2KSQ&amp;hl=en&amp;fs=1\" width=\"480\" height=\"295\" type=\"application\/x-shockwave-flash\" allowfullscreen=\"true\" allowscriptaccess=\"always\"><\/embed><\/p>\n<p><strong><\/strong>&nbsp;<\/p>\n<p><strong>It was 1 a.m., and I was sipping <\/strong>from the ever-full pitcher of&nbsp;<em>That &#8217;70s Show<\/em>, but then a commercial came on that by some bit of late-night laziness I didn&#8217;t mute:<\/p>\n<p>&#8220;Scott, I want you to do something.&#8221;<\/p>\n<p>&#8220;Not doing that again. Got burned.&#8221;<\/p>\n<p><em>What!?&nbsp;<\/em>My&nbsp;cultural gaydar &nbsp;&#8212; infinitely more accurate than my&nbsp;personal one, and we won&#8217;t go there &#8212;&nbsp;started the beat&nbsp;beat beat of its tom-tom.&nbsp;Then as I watched,&nbsp;my socks, which were still on, got knocked off, and you will see why when you click on the ad above. Here&#8217;s the spot&#8217;s soft-porn dialogue (which I painstakingly copied, but then found already typed on the Seattle food blog <a href=\"http:\/\/thecisforcocina.blogspot.com\/\">The C Is for Cocina<\/a>, one of two that also picked this up):<\/p>\n<blockquote dir=\"ltr\" style=\"MARGIN-RIGHT: 0px\">\n<p>Toaster: Scott, I want you to do something.<br \/>Scott: Not doing that again. Got burned. <br \/>Toaster: We both enjoyed that. Now I want you to introduce my greatest creation: the new Toasty Torpedo. <br \/>Scott: The new Toasty Torpedo?<br \/>Toaster: Yes, Scott. You make one. <br \/>Scott: Me? <br \/>Toaster: Put it in me, Scott. It&#8217;s over a foot of flavor on a slim, sleek ciabatta for only four dollars. Say it, Scott. <br \/>Scott: Only four dollars? <br \/>Toaster: Say it sexy. <br \/>Scott: Only four dollars. <br \/>Toaster: Sexier&#8230;<br \/>Scott (sexy voice): Only <span style=\"FONT-STYLE: italic\">four dollars<\/span>.&nbsp;<\/p>\n<\/blockquote>\n<p>Put it in me, Scott?<\/p>\n<p>My oh my. Beam me up, Scottie!<\/p>\n<p>Nitro Group&#8217;s Quiznos ads are often what was once called &#8220;edgy&#8221;; you may remember the lady who devoured the&nbsp;$5 bill. Here, though, we&#8217;ve crossed a more significant line. The&nbsp;oven&#8217;s Hal voice takes the neurotic, ultimately evil homo vibe between that pre-Stonewall male mainframe and cosmic trade Keir Dullea and inverts it to effective popcult humor without a shred of&nbsp;nasty effeminizing or&nbsp;butch Superbowl payback.&nbsp;<\/p>\n<p>Of course, queer progress is hard to come by, or even measure. Just yesterday, the governor of Vermont&nbsp;said that he would veto any gay-marriage bill brought to his desk &#8212;&nbsp;let&#8217;s hope the lame duck is overridden. Yet some of the&nbsp;most optimistic evidence that bigotry is going down can be found not in the courts or even on the streets, but in the common language of commerce.<\/p>\n<p>Now, should I do my duty and buy a Torpedo sub? It&#8217;s only four bucks, which is less than two new New York subway fares (if that obscene increase goes through).&nbsp;<\/p>\n<p>Let me see who&#8217;s selling them&#8230;.<\/p>\n<div class=\"titlewrapper\">\n<h1 class=\"title\">&nbsp;<\/h1>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; It was 1 a.m., and I was sipping from the ever-full pitcher of&nbsp;That &#8217;70s Show, but then a commercial came on that by some bit of late-night laziness I didn&#8217;t mute: &#8220;Scott, I want you to do something.&#8221; &#8220;Not doing that again. Got burned.&#8221; What!?&nbsp;My&nbsp;cultural gaydar &nbsp;&#8212; infinitely more accurate than my&nbsp;personal one, and [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[72,13,36,74,73,71],"class_list":{"0":"post-56","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"tag-advertising","8":"tag-gay-marriage","9":"tag-gay-rights","10":"tag-nitro","11":"tag-quiznos","12":"tag-vermont","13":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/outthere\/wp-json\/wp\/v2\/posts\/56","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/outthere\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/outthere\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/outthere\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/outthere\/wp-json\/wp\/v2\/comments?post=56"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/outthere\/wp-json\/wp\/v2\/posts\/56\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/outthere\/wp-json\/wp\/v2\/media?parent=56"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/outthere\/wp-json\/wp\/v2\/categories?post=56"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/outthere\/wp-json\/wp\/v2\/tags?post=56"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}