{"id":35,"date":"2008-02-27T15:50:16","date_gmt":"2008-02-27T15:50:16","guid":{"rendered":"http:\/\/www.artsjournal.com\/outthere\/wp\/?p=35"},"modified":"2008-02-27T15:50:16","modified_gmt":"2008-02-27T15:50:16","slug":"but_some_of_my_best_friends","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/outthere\/2008\/02\/but_some_of_my_best_friends.html","title":{"rendered":"But Some of My Best Friends &#8230;"},"content":{"rendered":"<blockquote><p>Someone, 20 years ago, suggested a discreet tattoo the site [sic, or pun] of which would alert the prospective partner to the danger of proceeding as had been planned. But the author of the idea was treated as though he had been schooled in Buchenwald, and the idea was not widely considered, but maybe it is up now for reconsideration.<\/p><\/blockquote>\n<p> &#8212; from &#8220;Killers at Large: AIDS Carriers and Their Victims&#8221;  by William F. Buckley Jr., National Review Online, Feb. 19, 2005<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Someone, 20 years ago, suggested a discreet tattoo the site [sic, or pun] of which would alert the prospective partner to the danger of proceeding as had been planned. But the author of the idea was treated as though he had been schooled in Buchenwald, and the idea was not widely considered, but maybe it [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-35","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/outthere\/wp-json\/wp\/v2\/posts\/35","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/outthere\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/outthere\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/outthere\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/outthere\/wp-json\/wp\/v2\/comments?post=35"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/outthere\/wp-json\/wp\/v2\/posts\/35\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/outthere\/wp-json\/wp\/v2\/media?parent=35"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/outthere\/wp-json\/wp\/v2\/categories?post=35"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/outthere\/wp-json\/wp\/v2\/tags?post=35"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}