{"id":25,"date":"2007-11-14T21:17:18","date_gmt":"2007-11-14T21:17:18","guid":{"rendered":"http:\/\/www.artsjournal.com\/outthere\/wp\/?p=25"},"modified":"2007-11-14T21:17:18","modified_gmt":"2007-11-14T21:17:18","slug":"the_scent_of_dirt_the_taste_of","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/outthere\/2007\/11\/the_scent_of_dirt_the_taste_of.html","title":{"rendered":"The Scent of Dirt, the Taste of Sweat"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" alt=\"bottlesandpac.jpg\" src=\"http:\/\/www.artsjournal.com\/outthere\/bottlesandpac.jpg\" width=\"480\" height=\"360\" \/><br \/>\n<font face=arial size=1>That&#8217;s Seahawks all-pro tackle Walter Jones selling it<\/font><br \/>\n<strong>Perspiration Soda<\/strong><br \/>\nI loved the inevitability of puns and wordplay when I was a kid, and so I thought the title of the oh-so-&#8217;60s musical <em>The Roar of the Greasepaint, the Smell of the Crowd <\/em>was an absolute laff riot.<br \/>\nStill, though I could imagine what a crowd smelled like, I had never actually sniffed one. And greasepaint? I hardly knew what it was, no less could recognize its scent. (My first real musical was <em>A Funny Thing Happened&#8230;<\/em> with Zero Mostel, who was greasepaint, and grease, personified. I also played Petruchio in high school, to much predictable laughter, but that&#8217;s another story.)<br \/>\nMany decades later, I found a dried-out tube of greasepaint in a junk shop, made in Philadelphia and dated 1908. Dead silent. So, of course, I lifted it to my nose&#8230;.<br \/>\n<strong>Flavor of the Moment<\/strong><br \/>\nIt still goes without saying that capitalism, in order to bully and thrive, must generate a steady, voracious appetite for change. Yet late in the last century, a corresponding cultural hunger for what some wish to believe is authentic, basic, and pure entered the popular marketplace-imagination as well. Sure, it&#8217;s easy to see all the organic, handmade, fair-trade stuffs on the shelves simply as another of a long line of product lines. But there&#8217;s a tonic resistance to the &#8220;new model&#8221; pitch built into the very idea of the unadulterated and authentic, whatever its momentary form or price.<br \/>\n<strong>Keyword: Football<\/strong><br \/>\nI boarded this train of thought after clicking on an online offer I couldn&#8217;t refuse: a <a href=\"https:\/\/ssl.jonessodastore.com\/seahawkspack\/code\/?\">Seahawks Collector Pack<\/a> from Seattle-based <a href=\"http:\/\/www.jonessoda.com\/\">Jones Soda Co<\/a>., five &#8220;limited edition flavors&#8221; for $19.95, plus S&#038;H. The Seahawks, by the way, are not an Errol Flynn drag troupe; they&#8217;re Seattle&#8217;s pro football team.<br \/>\nAnd those pigskin flavors? Sweet Victory, Natural Field Turf, Sports Cream (yup, really) and the two that made my heart leap, Perspiration and Dirt.<br \/>\nYou may have seen Jones&#8217;s expensive retro glass bottles or affordable 12-pack cans in your market. The company has an &#8220;alternative&#8221; strategy, &#8220;interacting&#8221; with customers via make-your-own labels and cool placement in &#8220;skate, surf and snowboarding shops, tattoo and piercing parlors&#8221; as well as marginal destinations like Target, Starbucks and that ever-edgy 7-Eleven. Jones sodas abjure the cheaper HFCS, high-fructose corn syrup, as sweetener, opting instead for what eons ago used to be the bad-for-you norm: cane sugar. Pure cane sugar.<br \/>\nBravo. Seriously. Cane sugar does impart a pleasing mouth-feel and is a &#8220;catalyst&#8221; flavor: it changes the way ingredients around it taste. Just try a Coke on some hot, faraway island, a Coca-Cola still made with sugar &#8212; and fulfill another &#8220;authentic&#8221; fantasy, the one called &#8220;the way food used to taste.&#8221;<br \/>\n<img loading=\"lazy\" decoding=\"async\" alt=\"pac.jpg\" src=\"http:\/\/www.artsjournal.com\/outthere\/pac.jpg\" width=\"480\" height=\"360\" \/><br \/>\n<strong>Taste Test<\/strong><br \/>\nSo let&#8217;s pry open the four most interesting of these sports sodas (leaving one for you to try yourself). I&#8217;ll begin with Color and follow with Nose, then Taste:<br \/>\n<u>Sweet Victory<\/u><br \/>\nC: Cloudy yet fluorescent baby-blue, the hue of a wished-for boyfriend&#8217;s eyes<br \/>\nN: Strong bubble-gum vanilla<br \/>\nT: Thick, saccharine vanilla, with Dubble Bubble notes. This is the only one of the four that&#8217;s sweetened. Delightful when chilled, although, unlike in life, one Victory is more than enough.<br \/>\n<u>Natural Field Turf<\/u><br \/>\nC: Astroturf green<br \/>\nN: Faint lawn-dog, watermelon rind, with sharp metal-shop undertone<br \/>\nT: Like sun-tea, but with grass. Something of a missed opportunity, if you know how heavenly a just-mowed yard smells. Maybe they should match this one with a Seattle seawater soda: Turf &#8216;n&#8217; Surf.<br \/>\n<u>Perspiration<\/u><br \/>\nC: Clear as Perrier<br \/>\nN: We have just walked into the cinderblock men&#8217;s room of an almost deserted amusement park.<br \/>\nT: Voila! Exactly like licking armpits. Equally nasty, and sexy, warm or cold. I am trying to picture the gathering I could serve this to, and what the rest of the menu would be.<br \/>\n<u>Dirt<\/u><br \/>\nC: Truly repellent diluted puddle. You have seen this brown before.<br \/>\nN: Almost no aroma, nothing like freshly plowed anything<br \/>\nT: Understated vegetal taint, as if you not only neglected to peel the carrots, but forgot to wash them. Yet there&#8217;s a grainy aftertaste, really a texture, that successfully evokes what eating dirt five minutes ago would have tasted like. For a reason I can&#8217;t explain, the movie <em>Brokeback Mountain<\/em> comes to mind.<br \/>\nIf you move fast, Jones has Turkey &#038; Gravy and Latke sodas for holiday sale, too.<br \/>\n<strong>L&#8217;eau d&#8217;Gym<\/strong><br \/>\n<img loading=\"lazy\" decoding=\"async\" alt=\"Dirt-Left.jpg\" src=\"http:\/\/www.artsjournal.com\/outthere\/Dirt-Left.jpg\" width=\"156\" height=\"229\" \/><br \/>\nWould it surprise the masculine footballers in the audience to know that women have been onto these supposedly butch smells for years? &#8220;Dirt&#8221; is the unquestionably femme <a href=\"http:\/\/www.demeterfragrance.com\/Product.aspx?ProductID=853\">Demeter<\/a> company&#8217;s &#8220;most emblematic fragrance&#8221; &#8230; &#8220;made to smell exactly like the dirt from the fields around the Pennsylvania family farm belonging to our founding perfumer.&#8221; You can purchase Dirt Cologne Spray, Bath &#038; Body Oil, Calming Lotion, and even Dirt Room Spray, to use just before, or after, company comes.<br \/>\nAnd then there&#8217;s the scientific impulse. A worthy website unhappily called The Scented Salamander has a <a href=\"http:\/\/www.mimifroufrou.com\/scentedsalamander\/2006\/05\/post.html\">post<\/a> from last year about French designer Philippe Di M\u00e9o, who&#8217;s created perfumes based on three bodily excretions: sweat, tears, and saliva. He was, he said, growing weary of the &#8220;tabooization&#8221;  of these &#8220;most emotional&#8221; of our fluids. Apparently, his simulacra have been constructed, and you can purchase and employ them at certain unnamed French spas.<br \/>\nI know that tears are salty as potato chips, but as close as they have come to me, I&#8217;ve never thought to smell them.<br \/>\n<strong>For an automatic alert when there is a new Out There entry, email jiweinste@aol.com.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>That&#8217;s Seahawks all-pro tackle Walter Jones selling it Perspiration Soda I loved the inevitability of puns and wordplay when I was a kid, and so I thought the title of the oh-so-&#8217;60s musical The Roar of the Greasepaint, the Smell of the Crowd was an absolute laff riot. Still, though I could imagine what a [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-25","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/outthere\/wp-json\/wp\/v2\/posts\/25","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/outthere\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/outthere\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/outthere\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/outthere\/wp-json\/wp\/v2\/comments?post=25"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/outthere\/wp-json\/wp\/v2\/posts\/25\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/outthere\/wp-json\/wp\/v2\/media?parent=25"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/outthere\/wp-json\/wp\/v2\/categories?post=25"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/outthere\/wp-json\/wp\/v2\/tags?post=25"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}