{"id":16253,"date":"2018-10-08T02:00:39","date_gmt":"2018-10-08T06:00:39","guid":{"rendered":"http:\/\/www.artsjournal.com\/outthere\/?p=16253"},"modified":"2018-10-08T02:16:05","modified_gmt":"2018-10-08T06:16:05","slug":"do-you-recall-matthew-shepard","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/outthere\/2018\/10\/do-you-recall-matthew-shepard.html","title":{"rendered":"Do You Recall Matthew Shepard?"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-16255\" src=\"https:\/\/www.artsjournal.com\/outthere\/wp\/wp-content\/uploads\/2018\/10\/shep-500x351.jpg\" alt=\"\" width=\"500\" height=\"351\" srcset=\"https:\/\/www.artsjournal.com\/outthere\/wp\/wp-content\/uploads\/2018\/10\/shep-500x351.jpg 500w, https:\/\/www.artsjournal.com\/outthere\/wp\/wp-content\/uploads\/2018\/10\/shep-300x211.jpg 300w, https:\/\/www.artsjournal.com\/outthere\/wp\/wp-content\/uploads\/2018\/10\/shep.jpg 680w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/p>\n<p class=\"p1\"><em>I wrote this in October, 2008, for the online &#8220;Obit Magazine,&#8221; which called itself &#8221; &#8216;The New Yorker&#8217; of Death.&#8221; It&#8217;s been two decades since his murder.<\/em><\/p>\n<p class=\"p1\"><strong>None of us can control<\/strong> how we\u2019re remembered, though we may try to live in ways that minimize the dancing on our graves. Yet a special place should be made for those who are memorialized not for how they lived, but how they died. Those singular victims of war, accident, or crime may become famous, even important. But their daily voices, their quirks and smiles, their plain ambitions and ordinary loves risk being overwhelmed by the drama of their end. Celebrated so publicly, the private person we also mean to mourn might disappear.<\/p>\n<p class=\"p1\">On Oct. 6, 1998, college student Matthew Shepard (who preferred to be called Matt) was taken by two young men from a bar. He was driven to a windswept plain, pistol-whipped and robbed, tied tightly to a wooden fence, tortured, and left under the stars to die \u2013 which he did on Oct. 12, five days after his bloody, insensate body was gathered up and brought to a hospital. The bicyclist who found Shepard in the morning thought the sagging form was a scarecrow.<\/p>\n<p class=\"p1\">Many readers will know exactly where this happened: in Laramie, Wyoming, population 26,000. I visited friends there decades ago and was surprised at how small it was. When the University of Wyoming football team had a home game, the whole town emptied into the stadium, its streets deserted.<\/p>\n<p class=\"p1\">It may seem odd, but this awful story still has currency, and for one reason. Matt Shepard was out. He wore black patent-leather shoes where cowboy boots were de rigueur. He was a diminutive, polite, sometimes brash gay man who was viciously murdered at age 21, not by \u201coutsiders,\u201d as shocked townspeople said in a way that implied some local absence of cruelty, but by two regular guys almost everyone knew.<\/p>\n<p class=\"p1\">Ten years ago, someone\u2019s death made major news because that someone was gay.<\/p>\n<p class=\"p1\">Until then, the occasional murder of men and women because they were \u201cthat way\u201d went mostly unnoticed, so few could have predicted the immediate response of almost universal revulsion to Shepard\u2019s beating. Comedian Ellen DeGeneres, whose coming out the year before had placed her face on magazine covers everywhere, said in an agitated interview that \u201cI can\u2019t stop crying, this is what I was trying to stop.\u201d President Bill Clinton, clearly moved, urged the passage of a hate-crimes bill that would include the likes of Matt.<\/p>\n<p class=\"p1\">That bill, now awkwardly called the Matthew Shepard National Law Enforcement Hate Crimes Prevention Act, is stalled because George W. Bush vowed to veto it. Barack Obama supports the legislation; John McCain previously voted against it. Wyoming is one of just five states that have no law pertinent to any category of hate.<\/p>\n<p class=\"p1\">Two years after the rapid trials and life-sentence convictions of Russell Arthur Henderson and Aaron James McKinney, a well-regarded play called <i>The Laramie Project<\/i> by Mois\u00e9s Kaufman told the story of Shepard\u2019s death through interviews with 200 of those involved. <i>Laramie Project<\/i> has been performed in thousands of community theaters and schools \u2013 and sometimes challenged by those who disdain a portrayal of gay anything, even a murder.<\/p>\n<p class=\"p1\">The play and trial records indicate that neither the jury nor most anyone else believed the defendants\u2019 \u201cgay panic defense\u201d \u2013 that Shepard came on to them sexually and caused them to lose control \u2013 or their subsequent claim that this was merely a robbery that went wrong. Defense attorneys had long considered the gay-panic justification a slam-dunk; something was changing.<\/p>\n<p class=\"p1\">Shepard\u2019s mother, Judy, soon became her son\u2019s civic champion by founding the <a href=\"https:\/\/www.matthewshepard.org\/\">Matthew Shepard Foundation<\/a>, dedicated both to remembering his passing and challenging the sort of hatred that led to his death. She spoke at a foundation fundraiser in Cheyenne, 50 miles from Laramie, and some online comments appended to newspaper coverage of her visit denied any gay component to the murder and blamed Mom for riding its coattails. Others attacked anti-hate laws as unnecessary left-wing ploys: \u201cFreedom of choice is the right to hate,\u201d one read. A few respondents, though, hoped that their beloved \u201clive and let live\u201d Wyoming could repair its damaged reputation.<\/p>\n<p class=\"p1\">\u201cA tough business,\u201d one of <i>The Laramie Project\u2019s <\/i>characters say, \u201cto be gay in cowboy country.\u201d Wyoming resident Annie Proulx agrees: Her story \u201cBrokeback Mountain,\u201d upon which the movie is based, has a local man murdered almost certainly for being gay. It was published before, not after, Shepard was killed.<\/p>\n<p class=\"p1\">Not all antigay murders are the same, and looked at closely, each killing, like each death, has something unique about it. Earlier this year, Lawrence King, an assertively femme and frequently bullied eighth-grader, was shot in the head in computer lab by California classmate Brandon McInerney and later died. Did 14-year-old Brandon snap because Larry had said he was cute? Should absent parents or a negligent school share the blame? And is the beardless killer a victim too \u2013 of commonplace, run-of-the-mill homophobia?<\/p>\n<p class=\"p1\">Yet statistics also tell particular stories. The Anti-Violence Project, based in New York, states that at least 21 gay, lesbian, bisexual, or transgender people in the U.S. were killed last year as a result of hate-related violence, up from 10 in 2006. (The increase may be due to better reporting, the project says.) That\u2019s almost two dozen Matts, remembered, we hope, by someone. Thousands more last year were harassed, beaten up, stabbed; teens were kicked out by parents, taunted at school, humiliated at church. Every gay man I know has at least one hate or fear tale stuck somewhere in his satchel, and I have mine. For example, when I was in Laramie so long ago, I was carefully told not to stroll its charming streets alone.<\/p>\n<p class=\"p1\">So how should we think of Matthew Shepard on the 10<sup>th<\/sup> anniversary of his death? He wasn\u2019t a martyr, as some have said, because martyrs are supposed to choose their sorry fates. Instead, Matt appeared to be a somewhat brave young man, idealistic, ready to join the struggling gay and lesbian group on campus, wanting to have some impact on the world. Yes, he had a callow, self-centered side, which we learn from the more personal interviews we\u2019ve read. But there\u2019s no full, detailed account of who Matt really was. He hadn\u2019t achieved much. He left impressions.<\/p>\n<p class=\"p1\">On Sept. 27, the University of Wyoming dedicated a small bench with a plaque that reads: &#8220;Matthew Wayne Shepard Dec. 1, 1976-Oct. 12, 1998. Beloved son, brother, and friend. He continues to make a difference. Peace be with him and all who sit here.&#8221;<\/p>\n<p class=\"p1\">A little late? Perhaps. And if I were there, I wouldn\u2019t sit, but take myself for a nice, long walk all over town.<\/p>\n<p class=\"p1\">\n","protected":false},"excerpt":{"rendered":"<p>I wrote this in October, 2008, for the online &#8220;Obit Magazine,&#8221; which called itself &#8221; &#8216;The New Yorker&#8217; of Death.&#8221; It&#8217;s been two decades since his murder. None of us can control how we\u2019re remembered, though we may try to live in ways that minimize the dancing on our graves. Yet a special place should [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":16255,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[552,16,19,551,454,37,550],"class_list":{"0":"post-16253","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-main","8":"tag-brokeback-mountain","9":"tag-gay","10":"tag-homophobia","11":"tag-laramie","12":"tag-lgbt","13":"tag-matthew-shepard","14":"tag-wyoming","15":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/outthere\/wp-json\/wp\/v2\/posts\/16253","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/outthere\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/outthere\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/outthere\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/outthere\/wp-json\/wp\/v2\/comments?post=16253"}],"version-history":[{"count":4,"href":"https:\/\/www.artsjournal.com\/outthere\/wp-json\/wp\/v2\/posts\/16253\/revisions"}],"predecessor-version":[{"id":16258,"href":"https:\/\/www.artsjournal.com\/outthere\/wp-json\/wp\/v2\/posts\/16253\/revisions\/16258"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/outthere\/wp-json\/wp\/v2\/media\/16255"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/outthere\/wp-json\/wp\/v2\/media?parent=16253"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/outthere\/wp-json\/wp\/v2\/categories?post=16253"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/outthere\/wp-json\/wp\/v2\/tags?post=16253"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}