{"id":14,"date":"2007-12-13T17:44:49","date_gmt":"2007-12-13T17:44:49","guid":{"rendered":"http:\/\/www.artsjournal.com\/outthere\/wp\/?p=14"},"modified":"2007-12-13T17:44:49","modified_gmt":"2007-12-13T17:44:49","slug":"fall_off_the_raft_huck_honey","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/outthere\/2007\/12\/fall_off_the_raft_huck_honey.html","title":{"rendered":"Fall Off the Raft, Huck Honey"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" alt=\"hirstskull.jpg\" src=\"http:\/\/www.artsjournal.com\/outthere\/hirstskull.jpg\" width=\"225\" height=\"287\" \/><br \/>\n<font face=arial size=1>How to get a head in the art world (<em>For the Love of God<\/em> by Damien Hirst)<\/font><br \/>\n<strong>Current Events<\/strong><br \/>\nGosh, even with TV&#8217;s long-compromised creativity halted by a strike, there&#8217;s so much to write about right now. Like that Huckabee person&#8217;s unretracted wish not only to concentrate HIV\/AIDS types in some sort of germ camp, but his unembarrassed belief that we bent citizens &#8212; Jodie Foster newly included &#8212; are bad, bad, bad in a way that no proper under-God government could ever efficiently correct.<br \/>\nFall off the raft, Huck honey.<br \/>\n<img loading=\"lazy\" decoding=\"async\" alt=\"jodiefoster.jpg\" src=\"http:\/\/www.artsjournal.com\/outthere\/jodiefoster.jpg\" width=\"345\" height=\"207\" \/><br \/>\n<font face=arial size=1> &#8220;Aberrant, unnatural, and sinful&#8221; (Jodie Foster)<\/font><br \/>\nAnd the estimable commentator Frank Rich thinks this guy <a href=\"http:\/\/www.nytimes.com\/2007\/12\/09\/opinion\/09rich.html?_r=1&#038;oref=slogin\">is for real<\/a>? Oh, pardon me, we&#8217;re on an arts site. (Well, the Times&#8217; Rich was once a Very Important theater critic.) In case you are tempted to think any argument defending gay\/lesbian life &#8212; yes, live-or-die life &#8212; is simultaneously a defense of the arts, I can recount to you the many guys I dated, perfectly nice guys, most of them, who thought Art was someone&#8217;s first name.<br \/>\nJust recall what happened to William F. Buckley, Jr., who ages ago recommended that HIV-infected persons be tattooed. Recently, he himself coyly recalled that outraged folks thought he &#8220;had been schooled in Buchenwald.&#8221;<br \/>\nOh, nothing happened to him, of any importance.<br \/>\nWhat <em>Out There <\/em>really wishes to bring to your attention is the current political and cultural importance of finger-food.<br \/>\n<strong>Send Your Kids to Art School<\/strong><br \/>\nBut first, we note with some melancholy that the year in lower-case art was marked by the fact that every single show <em>Out There <\/em>saw, or that could have been seen, was shadowed by a giant dollar sign. Not metaphorically, but actually shadowed, darkening the work on gallery walls and floors. (Samuel Clemens knew a century ago that money trumps genius, as the first-act sluggish, second-act giddy drag farce <em>Is He Dead?<\/em> now on Broadway makes all too clear.)<br \/>\n<img loading=\"lazy\" decoding=\"async\" alt=\"ishedead.jpg\" src=\"http:\/\/www.artsjournal.com\/outthere\/ishedead.jpg\" width=\"330\" height=\"212\" \/><br \/>\n<font face=arial size=1> &#8220;And Gov. Huckabee, how do you feel about transgender rights? Do you support the arts?&#8221; (Norbert Leo Butz, left, as painter Jean-Francois Millet and Jenn Gambatese in <em>Is He Dead?<\/em>)<\/font><br \/>\nThe art world&#8217;s 2007 memento mori was a skull cast in platinum, encrusted with 8601 pave-set diamonds, and reportedly sold for 100 million smackeroos to a gaggle of &#8230; investors. Imagine, Mr. Rich, the Hamlet who&#8217;d palm that.<br \/>\n<strong>Whores D&#8217;oeuvres<\/strong><br \/>\nAnyway, ABC-TV evening news, usually an exemplar of attention-deficit brevity, had a longish and even witty segment about how the recent &#8220;clean up Congress&#8221; anti-lobbying legislation has affected Christmas parties. The best shot was a giant D.C. ballroom jammed with suits standing cheek by jowl, helping themselves to high-rent booze and what used to be called hors d&#8217;oeuvres.<br \/>\nExplanation? Members of Congress may no longer accept lobbyist invitations to sit-down meals in which chairs, knives, forks and spoons are used.<br \/>\nAre chopsticks mentioned? What about Ethiopian bread, injera, which looks like a napkin, but is ripped into pieces and used &#8212; with the right hand only &#8212; to scoop up dinner?<br \/>\nSo caterers are brushing up their sushi. Actually, anything can be eaten &#8212; and pocketed &#8212; standing up: foie gras sits quite comfortably in pastry cups, caviar feels all the more endangered in mini-blinis, and even a Wagyu porterhouse may be bite-sized and prechewed. The problem at political shindigs has always been balancing food, drink, and ethics, which will slosh and stain even the most Scotchgarded reputation.<br \/>\nWashington, as almost everyone knows, is lucky to have the best cleaners in the world.<br \/>\n<strong>For an automatic alert when there is a new Out There post, email jiweinste@aol.com.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>How to get a head in the art world (For the Love of God by Damien Hirst) Current Events Gosh, even with TV&#8217;s long-compromised creativity halted by a strike, there&#8217;s so much to write about right now. Like that Huckabee person&#8217;s unretracted wish not only to concentrate HIV\/AIDS types in some sort of germ camp, [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-14","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/outthere\/wp-json\/wp\/v2\/posts\/14","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/outthere\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/outthere\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/outthere\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/outthere\/wp-json\/wp\/v2\/comments?post=14"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/outthere\/wp-json\/wp\/v2\/posts\/14\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/outthere\/wp-json\/wp\/v2\/media?parent=14"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/outthere\/wp-json\/wp\/v2\/categories?post=14"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/outthere\/wp-json\/wp\/v2\/tags?post=14"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}