{"id":195,"date":"2012-12-17T10:17:32","date_gmt":"2012-12-17T18:17:32","guid":{"rendered":"http:\/\/www.artsjournal.com\/newbeans\/?p=195"},"modified":"2012-12-17T10:27:40","modified_gmt":"2012-12-17T18:27:40","slug":"heal-the-world","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/newbeans\/2012\/12\/heal-the-world.html","title":{"rendered":"Heal The World"},"content":{"rendered":"<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.artsjournal.com\/newbeans\/2012\/12\/heal-the-world.html\/colorful-crayons\" rel=\"attachment wp-att-196\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-196\" alt=\".\" src=\"https:\/\/www.artsjournal.com\/newbeans\/wp-content\/uploads\/2012\/12\/crayons-300x240.jpg\" width=\"300\" height=\"240\" srcset=\"https:\/\/www.artsjournal.com\/newbeans\/wp-content\/uploads\/2012\/12\/crayons-300x240.jpg 300w, https:\/\/www.artsjournal.com\/newbeans\/wp-content\/uploads\/2012\/12\/crayons-1024x819.jpg 1024w, https:\/\/www.artsjournal.com\/newbeans\/wp-content\/uploads\/2012\/12\/crayons-500x400.jpg 500w, https:\/\/www.artsjournal.com\/newbeans\/wp-content\/uploads\/2012\/12\/crayons.jpg 1280w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p>I grew up maybe a half-hour from Newtown, Connecticut, in a town called Ridgefield that, today, became momentarily someplace you might know about when someone spotted someone with a gun (or something) near one of the schools and all of the schools in town went on lockdown.\u00a0 That would have included Ridgebury Elementary School, where I went, high up on a hill in an out of the way part of town, surrounded by woods and bordered by a swampy area at the bottom of a grade that was great for sledding in the winter.<\/p>\n<p>If you walked in the front entrance to the school, the office would be on your left, and past that, turning left in front of a large tapestry, a hallway that seemed forever long to a six year old waiting for classes to start on the first day, the nurse and guidance counselor offices on the left, a bank of windows looking over quintessential New England on the right.\u00a0 I sat in that hallway on an October day in 1987 waiting for classes to start, nervous and alone, closely examining my sneakers and the snow outside.\u00a0 The hallway teed into the library, where I once put on a puppet show to tell the story of the Lorax with friends.\u00a0 Down the hall to the right were the art rooms, where I would spend lunches and some time after school, especially in the older grades, working on a large collaborative painting of a walled garden with the other children termed \u201cgifted artists\u201d and where, once a year, we would come together, those same &#8220;gifted artists,&#8221; to create the school banner for our four-elementary-school Field Day, red and white in our colors,\u00a0loudly attempting to win the day.\u00a0 Back the other way were the classrooms, and below them the art spaces\u2014the music room, where Mr. Lebekin would lead us patiently in rhythm exercises, turning <em>da-dada-DA<\/em> into a group competition and crowning a winner who got to hold the Sock-It-To-Me Award, a green woolen sock with a tacky medal sewn on, and for which said winner would be serenaded by the class and made to feel generally special in song.<\/p>\n<p>The auditorium across the hall is where I stood on a stage and sang in the school musical about having a crush on a girl and even then felt something was a little wrong in the sentiment, and where, at Christmas time, they would set up little tables and you would bring in photos from home and make buttons and magnet using amazing machines that popped the photo behind plastic and backed it with a metal piece, and that you could take home and give with pride as presents at just this time of year.\u00a0 Down the hall, near the cafeteria, where everyone waiting for lunch had to line up, and so everyone had to see,\u00a0there was a wall where, though I\u2019m sure it\u2019s long painted over now, I had the honor of painting a block, a cinder block, one of just a few people asked to do so each year, to commemorate my five years at Ridgebury.\u00a0 Red and white, prideful, included.<\/p>\n<p>Our classrooms were bright and bursting with color, paints and glues and glitter and paper wrapping me up in a feeling, 25 years later, of incredible comfort and security and celebration.<\/p>\n<p>It gives me physical pain to think what all that bright bursting color would look like smeared with blood and shot through with bullets.\u00a0 I found myself grasping about, thinking about what I do, wondering, in the least clicheed way possible, what the point was.<\/p>\n<p>And then I read <a href=\"http:\/\/www.npr.org\/templates\/story\/story.php?storyId=167368998\" target=\"_blank\">this<\/a>:<\/p>\n<blockquote><p>\u201cClerk Maryann Jacob was working with a group of 18 fourth-graders in the library when the shooting broke out. She herded the children into a classroom in the library, but then realized the door wouldn&#8217;t lock.<\/p>\n<p>&#8220;They crawled across the room into a storage space, locked the door and barricaded it with a filing cabinet. There happened to be materials for coloring, she said, \u2018so we set them up with paper and crayons.\u2019&#8221;<\/p><\/blockquote>\n<p>And then I saw this:<\/p>\n<p><iframe loading=\"lazy\" src=\"http:\/\/www.youtube.com\/embed\/CTbhVlHuONo\" height=\"315\" width=\"560\" allowfullscreen=\"\" frameborder=\"0\"><\/iframe><\/p>\n<p>And then I heard this:<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/w.soundcloud.com\/player\/?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F71409638\" height=\"166\" width=\"100%\" frameborder=\"no\" scrolling=\"no\"><\/iframe><\/p>\n<p>There is no understanding any of this.\u00a0 But there is coping.\u00a0 There is celebrating life lost.\u00a0 There is, in moments of crisis, the creation of art to express pain that can\u2019t be expressed, to calm nerves in the face of terrible fear, to sing songs to commemorate a moment.<\/p>\n<p>We don\u2019t make art for the economics, and we shouldn\u2019t make art simply for ourselves.\u00a0 It is in exactly these moments, these horrible moments\u2014and also in the day-to-day moments, the lost lonely days of being an awkward child, the distance between you and the people around you, the darkness that can descend when you feel like no one understands you, the sadness that no one knows about\u2014it is in these moments too that art matters.\u00a0 Let the world sing out, let life transform.\u00a0 Let us be better than we were, and let us remind ourselves, as we always have, of our best, our worst, our aspirations through the art we, alone in all the creatures, have been gifted to create.\u00a0 Let us howl, let us scream, let us build monuments and give children crayons and paper.\u00a0 Let us teach them that art endures, and that we endure through art, and that everything, no matter how horrible, can be fought, and fought hard.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; I grew up maybe a half-hour from Newtown, Connecticut, in a town called Ridgefield that, today, became momentarily someplace you might know about when someone spotted someone with a gun (or something) near one of the schools and all of the schools in town went on lockdown.\u00a0 That would have included Ridgebury Elementary School, [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":196,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[5,4],"tags":[],"class_list":{"0":"post-195","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-advocacy","8":"category-main","9":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/newbeans\/wp-json\/wp\/v2\/posts\/195","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/newbeans\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/newbeans\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/newbeans\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/newbeans\/wp-json\/wp\/v2\/comments?post=195"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/newbeans\/wp-json\/wp\/v2\/posts\/195\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/newbeans\/wp-json\/wp\/v2\/media\/196"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/newbeans\/wp-json\/wp\/v2\/media?parent=195"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/newbeans\/wp-json\/wp\/v2\/categories?post=195"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/newbeans\/wp-json\/wp\/v2\/tags?post=195"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}