{"id":95,"date":"2008-09-25T09:30:14","date_gmt":"2008-09-25T09:30:14","guid":{"rendered":"http:\/\/www.artsjournal.com\/lifesapitch\/wp\/?p=95"},"modified":"2008-09-25T09:30:14","modified_gmt":"2008-09-25T09:30:14","slug":"cant_hardly_wait","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/lifesapitch\/2008\/09\/cant_hardly_wait\/","title":{"rendered":"Can&#8217;t Hardly Wait"},"content":{"rendered":"<p>First, a note about the silliness of the classical music industry: <\/p>\n<p>The <a href=\"http:\/\/www.gramophone.co.uk\/\">Gramophone Magazine<\/a> Awards are being announced across the pond today &#8211; perhaps even AS I TYPE THIS BLOG ENTRY &#8211; and I&#8217;m expected to write a press release about the winners. Fine, fine &#8211; just tell me how many people voted, give me the list of the awards, etc.. What am I told at 6 am this morning? <b>&#8220;This information is under embargo till today&#8217;s lunchtime&#8221;. <\/b>UNDER EMBARGO!! Am I waiting on the Gramophone Awards winners AND Bush&#8217;s solution to America&#8217;s financial crisis? Under embargo. Give me a break. How much of the population woke up this morning &#8211; giddy with anticipation &#8211; leaped to their feet and Googled GRAMOPHONE ARTIST OF THE YEAR? ~Nobody. Whatever. I know who the Artist of the Year is already. And if I know, you should be able to figure it out.<\/p>\n<p>I have been thinking a lot lately about anticipation. I started seeing <i>Iron Man <\/i>DVD previews on The TV last week, and was like, September 30th &#8211; yes &#8211; sign me up. This year, however, I will not tell everyone I know that I want a copy, since a similar announcement last year resulted in not one but four <i>Ratatouille <\/i>DVDs for Christmas. I was actually giddy with anticipation about (and then devastated by) the <i>Sex and the City <\/i>movie this summer; I wasted a truly embarrassing amount of time trying to find different versions of the trailer online. ((LAME)). I&#8217;m seriously excited about the new Deerhoof CD, since I&#8217;ve been hearing about it and seeing it everywhere since <a href=\"http:\/\/www.artsjournal.com\/lifesapitch\/2008\/07\/fresh-born-indeed.html\">July<\/a>. <\/p>\n<p>When was the last time you were really excited about a classical CD? Was anyone in this wide world like, &#8220;I hear Hilary Hahn is recording a definitive Schoenberg disc&#8230;can&#8217;t wait!&#8221; No, they were not. They learned about it when I or the Director of Publicity at Deutsche Grammophon sent out a a press release, maybe two months before the release. No one leaked recording sections, Hilary never performed sections live on the radio, I never offered any blogs exclusive mP3 downloads. I&#8217;m not complaining about the response to the disc, but how amazing would it have been to really gear people up for it? <\/p>\n<p>The Metropolitan Opera does an excellent job via their posters around the city getting folks excited about productions; the <a href=\"http:\/\/farm4.static.flickr.com\/3071\/2407767772_63230acf76_s.jpg\">Satyagraha posters<\/a> are especially memorable. But why don&#8217;t they videotape <i>Atomic<\/i> rehearsals and &#8220;leak&#8221; them on YouTube? The people who know what <i>Doctor Atomic<\/i> is about\/sounds like are&#8230;few. Perhaps if folks saw clips of rehearsals, the &#8220;not your grandfather&#8217;s opera&#8221; point would be driven home. I already asked <a href=\"http:\/\/www.sequenza21.com\/index.php\/928\">Eric<\/a> if I could come to a rehearsal. Maybe I&#8217;ll sneak in a Flip camera. <\/p>\n<p>You also don&#8217;t see teaser ad campaigns often in classical music. I wasn&#8217;t going to bring this up, but I thought the &#8220;ad&#8221; &#8220;campaign&#8221; (me hanging up flyers at like, Collis Commonground) for our production of <i>Pippin <\/i>at school was pretty good: basically, we pulled quotes from the musical (&#8220;Sometimes the fornicating I&#8217;m getting isn&#8217;t worth the fornicating I&#8217;m getting.&#8221; &#8220;Think about your life.&#8221;), typed them up in big, bold white letters on black backgrounds, printed 8.5\/11 sheets and on the very bottom in small type said &#8220;Pippin the Musical&#8221; and the date (which I have since blocked from my memory). Then, the week of the show we printed flyers in the same font that had the actual performance and venue information. The <a href=\"http:\/\/farm4.static.flickr.com\/3148\/2692549607_f7cc9666d0.jpg?v=0\">&#8220;Be Kanye&#8221; <\/a>ads (for Absolut Vodka) and the bus ad campaign for the recent <i>Die Hard <\/i>movie (<a href=\"http:\/\/farm2.static.flickr.com\/1199\/535045852_eb9dcc228c.jpg\">&#8220;Yippee Ki Yay Mo &#8211; John 6:27&#8221;<\/a>) are real-world examples of this. In retrospect, I should have come up with a banner ad or window card campaign using the &#8220;unplayable&#8221; tag on the Schoenberg concerto.<\/p>\n<p>Incidentally, the more creative you are with your teasers, the less money you have to spend. The &#8220;Be Kanye&#8221; ads are made to look cheap, and the <i>Die Hard <\/i>ads were simple white text on a black background (perhaps they saw <i>Pippin<\/i> at Dartmouth&#8230;).<\/p>\n<p>HIlary Hahn is Gramophone Artist of the Year, by the way. <a href=\"http:\/\/www.artsjournal.com\/lifesapitch\/2008\/08\/vote-for-hilary.html\">One<\/a> down, <a href=\"http:\/\/www.artsjournal.com\/lifesapitch\/2008\/09\/the-girl-next-door.html\">one<\/a> to go. Was this entry enough pre-buzz for that announcement? <\/p>\n","protected":false},"excerpt":{"rendered":"<p>First, a note about the silliness of the classical music industry: The Gramophone Magazine Awards are being announced across the pond today &#8211; perhaps even AS I TYPE THIS BLOG ENTRY &#8211; and I&#8217;m expected to write a press release about the winners. Fine, fine &#8211; just tell me how many people voted, give me [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[9],"tags":[],"class_list":{"0":"post-95","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/posts\/95","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/comments?post=95"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/posts\/95\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/media?parent=95"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/categories?post=95"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/tags?post=95"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}