{"id":921,"date":"2012-04-11T11:16:56","date_gmt":"2012-04-11T15:16:56","guid":{"rendered":"http:\/\/www.artsjournal.com\/lifesapitch\/?p=921"},"modified":"2012-04-11T14:18:38","modified_gmt":"2012-04-11T18:18:38","slug":"the-internet-is-a-delight","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/lifesapitch\/2012\/04\/the-internet-is-a-delight\/","title":{"rendered":"The Internet is a delight"},"content":{"rendered":"<p>Pitches, I have neglected you. I have no excuses except my Real Job and the 7 weddings I have to go to this year. I <a title=\"Twitter\" href=\"https:\/\/twitter.com\/#!\/amandaameer\" target=\"_blank\">Tweet<\/a> a lot: the lazy woman&#8217;s blogging.<\/p>\n<p>But the Interweb continues to entertain, with or without my presence. First, <a title=\"Alex Ross Twitter\" href=\"https:\/\/twitter.com\/#!\/alexrossmusic\" target=\"_blank\">via Alex Ross<\/a>, we have Dan Deacon&#8217;s <a title=\"Dan Deacon Twitter\" href=\"https:\/\/twitter.com\/#!\/Amtrak\/status\/184318095299575809\" target=\"_blank\">Twitter exchange with Amtrak<\/a> about his Carnegie Hall performance.<\/p>\n<p><a href=\"http:\/\/www.artsjournal.com\/lifesapitch\/2012\/04\/the-internet-is-a-delight\/screen-shot-2012-04-11-at-10-27-21-am\/\" rel=\"attachment wp-att-923\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-923\" title=\"Screen shot 2012-04-11 at 10.27.21 AM\" src=\"https:\/\/www.artsjournal.com\/lifesapitch\/wp\/wp-content\/uploads\/2012\/04\/Screen-shot-2012-04-11-at-10.27.21-AM.png\" alt=\"\" width=\"631\" height=\"378\" srcset=\"https:\/\/www.artsjournal.com\/lifesapitch\/wp\/wp-content\/uploads\/2012\/04\/Screen-shot-2012-04-11-at-10.27.21-AM.png 631w, https:\/\/www.artsjournal.com\/lifesapitch\/wp\/wp-content\/uploads\/2012\/04\/Screen-shot-2012-04-11-at-10.27.21-AM-300x179.png 300w\" sizes=\"auto, (max-width: 631px) 100vw, 631px\" \/><\/a><\/p>\n<p><a href=\"http:\/\/www.artsjournal.com\/lifesapitch\/2012\/04\/the-internet-is-a-delight\/screen-shot-2012-04-11-at-10-28-14-am\/\" rel=\"attachment wp-att-922\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-922\" title=\"Screen shot 2012-04-11 at 10.28.14 AM\" src=\"https:\/\/www.artsjournal.com\/lifesapitch\/wp\/wp-content\/uploads\/2012\/04\/Screen-shot-2012-04-11-at-10.28.14-AM.png\" alt=\"\" width=\"520\" height=\"281\" srcset=\"https:\/\/www.artsjournal.com\/lifesapitch\/wp\/wp-content\/uploads\/2012\/04\/Screen-shot-2012-04-11-at-10.28.14-AM.png 520w, https:\/\/www.artsjournal.com\/lifesapitch\/wp\/wp-content\/uploads\/2012\/04\/Screen-shot-2012-04-11-at-10.28.14-AM-300x162.png 300w\" sizes=\"auto, (max-width: 520px) 100vw, 520px\" \/><\/a><\/p>\n<p>The best part, believe it or not, is actually yet to come. That would be when Amtrak Tweets back, &#8220;@ebaynetflix Wow, that&#8217;s awesome! We bet the performance will be amazing.&#8221; And then some random goes,\u00a0&#8220;@ebaynetflix wait a god damn minuet your coming to ny?? tickets available?&#8221;<\/p>\n<p>Turns out, Amtrak just <a title=\"Amtrak Twitter\" href=\"https:\/\/twitter.com\/#!\/Amtrak\" target=\"_blank\">Tweets constantly<\/a>, which is actually an excellent customer service strategy, considering most of their customers are messing with their phones when they&#8217;re bored on the train.<\/p>\n<p>Yesterday, I fell down the Internet rabbithole (just in time for Easter!) and found this at the bottom. Nicolas Cage does John Cage&#8217;s 4&#8217;33&#8221;. I don&#8217;t think that needs more explanation.<br \/>\n<object width=\"560\" height=\"315\" classid=\"clsid:d27cdb6e-ae6d-11cf-96b8-444553540000\" codebase=\"http:\/\/download.macromedia.com\/pub\/shockwave\/cabs\/flash\/swflash.cab#version=6,0,40,0\"><param name=\"allowFullScreen\" value=\"true\" \/><param name=\"allowscriptaccess\" value=\"always\" \/><param name=\"src\" value=\"http:\/\/www.youtube.com\/v\/JKdeNv3Rlv0?version=3&amp;hl=en_US&amp;rel=0\" \/><param name=\"allowfullscreen\" value=\"true\" \/><embed width=\"560\" height=\"315\" type=\"application\/x-shockwave-flash\" src=\"http:\/\/www.youtube.com\/v\/JKdeNv3Rlv0?version=3&amp;hl=en_US&amp;rel=0\" allowFullScreen=\"true\" allowscriptaccess=\"always\" allowfullscreen=\"true\" \/><\/object><\/p>\n<p>And then this morning, I found out via <a title=\"Fake Norman Lebrecht Twitter\" href=\"https:\/\/twitter.com\/#!\/FakeNLebrecht\" target=\"_blank\">Fake Norman Lebrecht<\/a> via <a title=\"Slipped Disc\" href=\"http:\/\/www.artsjournal.com\/slippeddisc\/2012\/04\/why-is-alan-gilbert-appearing-in-a-swedish-vodka-ad.html\" target=\"_blank\">real Norman Lebrecht<\/a> that New York Philharmonic Music Director Alan Gilbert will be in an <a title=\"Absolut Vodka\" href=\"http:\/\/www.media.absolutcompany.com\/Initiatives\/ABSOLUT-RUMORS1\/?asset=091013e5-b299-4495-9649-257c1f84ffc0\" target=\"_blank\">Absolut Vodka commercial<\/a>?<\/p>\n<p><a href=\"http:\/\/www.artsjournal.com\/lifesapitch\/2012\/04\/the-internet-is-a-delight\/alan-gilbert-absolut\/\" rel=\"attachment wp-att-924\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-924\" title=\"Alan Gilbert Absolut\" src=\"https:\/\/www.artsjournal.com\/lifesapitch\/wp\/wp-content\/uploads\/2012\/04\/Alan-Gilbert-Absolut.png\" alt=\"\" width=\"629\" height=\"507\" srcset=\"https:\/\/www.artsjournal.com\/lifesapitch\/wp\/wp-content\/uploads\/2012\/04\/Alan-Gilbert-Absolut.png 629w, https:\/\/www.artsjournal.com\/lifesapitch\/wp\/wp-content\/uploads\/2012\/04\/Alan-Gilbert-Absolut-300x241.png 300w\" sizes=\"auto, (max-width: 629px) 100vw, 629px\" \/><\/a><\/p>\n<p>I&#8217;ll tell you this: it does make me want to drink!<\/p>\n<p>Back in the Physical World, I&#8217;m dismayed to report that the <a title=\"Mrs. Gilbert\" href=\"http:\/\/www.artsjournal.com\/lifesapitch\/2011\/10\/gilberts-mom\/\" target=\"_blank\">Mrs. Gilbert banners<\/a> on my block have been taken down. They&#8217;ve been replaced by banners of Gilbert sans Mrs. crossing the street and drinking iced coffee. New Yorkers do like iced coffee!<\/p>\n<p><a href=\"http:\/\/www.artsjournal.com\/lifesapitch\/2012\/04\/the-internet-is-a-delight\/photo-1-3\/\" rel=\"attachment wp-att-926\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter  wp-image-926\" title=\"photo-1\" src=\"https:\/\/www.artsjournal.com\/lifesapitch\/wp\/wp-content\/uploads\/2012\/04\/photo-11-766x1024.jpg\" alt=\"\" width=\"586\" height=\"783\" srcset=\"https:\/\/www.artsjournal.com\/lifesapitch\/wp\/wp-content\/uploads\/2012\/04\/photo-11-766x1024.jpg 766w, https:\/\/www.artsjournal.com\/lifesapitch\/wp\/wp-content\/uploads\/2012\/04\/photo-11-224x300.jpg 224w, https:\/\/www.artsjournal.com\/lifesapitch\/wp\/wp-content\/uploads\/2012\/04\/photo-11.jpg 958w\" sizes=\"auto, (max-width: 586px) 100vw, 586px\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Pitches, I have neglected you. I have no excuses except my Real Job and the 7 weddings I have to go to this year. I Tweet a lot: the lazy woman&#8217;s blogging. But the Interweb continues to entertain, with or without my presence. First, via Alex Ross, we have Dan Deacon&#8217;s Twitter exchange with Amtrak [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":924,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[9],"tags":[],"class_list":{"0":"post-921","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-main","8":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/posts\/921","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/comments?post=921"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/posts\/921\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/media\/924"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/media?parent=921"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/categories?post=921"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/lifesapitch\/wp-json\/wp\/v2\/tags?post=921"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}